Waterloo Public Library Digital Collections

Glen Buhr (Waterloo 150 Profile)

Description
Creator
Gallagher, Beth, Author
Media Type
Text
Image
Description
To celebrate Waterloo's 150th anniversary, the Waterloo Public Library published a book called "Profiles from the Past, Faces of the Future." This book featured 150 profiles of people who helped make Waterloo what it is today. This is the digitized profile for Glenn Buhr.
Notes
Please visit the Waterloo Public Library to enquire about physical copies of "Profiles from the Past, Faces of the Future."

The Waterloo 150 project was funded by a grant from the Waterloo Regional Heritage Foundation. Beth Gallagher wrote the profiles with the assistance of many research volunteers. Information for the profiles was gathered from a variety of sources from the community and the Ellis Little Local History Room. Notable sources include the Ellis Little Papers, newspaper clippings, local magazines and books.
Place of Publication
Waterloo, Ontario
Date of Publication
2007
Subject(s)
Personal Name(s)
Buhr, Glenn
Language of Item
English
Geographic Coverage
  • Ontario, Canada
    Latitude: 43.4668 Longitude: -80.51639
Copyright Statement
Uses other than research or private study require the permission of the rightsholder(s). Responsibility for obtaining permissions and for any use rests exclusively with the user.
Contact
Waterloo Public Library
Email:askus@wpl.ca
Website:
Agency street/mail address:

35 Albert Street, Waterloo, Ontario, Canada, N2L 5E2

Full Text
Glenn Buhr

Glenn Buhr is a composer of symphonies and ballets who also plays in a jazz quartet. His accolades include a Juno award for a song he composed for a con man movie, and top prize in the prestigious Italian Pro Loco Corciano Competition.

Surveying his diverse musical success, it is no wonder a reviewer remarked once: “Buhr’s musical imagination appears to be boundless.”

He balances a busy performance and composing schedule with teaching duties at Wilfrid Laurier University’s faculty of music. His career took off shortly after he finished his music studies at the University of Michigan and secured a teaching position at WLU.

It was 1984 and Buhr decided to mail out copies of his orchestral dissertation to symphony orchestras across Canada. While many came back, the conductor of the Toronto Symphony Orchestra was interested, and in September 1985, Buhr attended his own world premiere to positive reviews.

Since then, Buhr’s compositions have been performed by chamber ensembles, soloists and orchestras around the world. His international success is balanced by his strong support of regional orchestras.

After serving as director of contemporary music for the Kitchener-Waterloo Symphony, Buhr wrote that community music and a “collective approach” to performance is integral to healthy culture. While European music is part of our musical identity, he wrote that it is important that local, contemporary compositions share the stage.

“There is no reason that symphony orchestras should continue to function like one of Napoleon’s army battalions, with the conductor as commander-in-chief and the players soldiering on under his divine guidance, trusting his connections to the great ones – those gods (mostly dead white European males) who wrote the music in the first place. The class divisions that supported that system of governance in earlier times have long since disappeared.”

Buhr, who has been nominated for four Juno awards, is well known as the co-founder of the renowned Winnipeg Symphony Orchestra’s New Music Festival. In 1998 he was named University Research Professor at Wilfrid Laurier University, the first time a creative artist has been given the honour.

Performing in the Glenn Buhr Quartet, he finds a way to balance the work of his classical compositions. “Jazz is a social thing. It involves sharing, some originality and crowd participation . . . Jazz is a nice alternative to writing for orchestra.”

Buhr, who studied at the University of Manitoba and the University of British Columbia, became interested in music as a teenager. “I started listening to music like crazy, and yearning and yearning to do it,” he said, “I’ve been doing it ever since.”

Photo courtesy of Jennifer Buhr
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