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Waterloo Chronicle (Waterloo, On1868), 15 Apr 2015, p. 22

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mi ‘l i (Hittl'sllllMoiiiiata. mi it I I r » ‘5 g: _ g 5 ”Km“; a... Bringing the energy 0 y I O O O I I Veteran actor says hlS character s emotional ride leads to hilarity m The Crazy Time Bi BHH\HH\\\( ‘ lliis has elements (it that lt‘lt'\l\lt|tl -.- wam‘iwlwk «-1 I. 5 fl r» ‘ ‘5‘ ‘-,n.’.~,,‘_‘ “_ _ I . . A 7 i iimvii. it start norL in it,“ said Brown who has done some . : Y ~;'\x‘ A. ‘22:?" ., ,_ ’ ‘ w ' ‘ we" r: .3517“ 7 l\ work liiinsell as \‘li Philips iii the original ”V g;;‘:’f"‘ ,. «a ‘3 nu hit iout iiiitl lite itisis running \niie oi (in-en (.ahles miniseries "It would ' ms i and iiaie metithing iou‘ie eser tit into tele\ision it sortie of the language ,‘ a, , ‘Is‘ is anted Int ludi rig a silt t 1'ssttil wen-tit what it was." A i": A ‘ . husiness and a tltiph) \sile Bohriek's most Wt‘lirhnlWVn stage produe ‘ ' i . _ _ t “it Hut as the siiiugness sets in. you reali/e tion was Murder at the Howard lohnson, so " '1 ‘ that somethings \srong With your perfect he has a sense offinding absurd in the munr f’ s 35;; lilt" and that trophy might have been for dane. but Brown hadn't performed in one of A 5 ‘ ‘41,, , v last pldt‘t‘ his comedies before joining the Drayton I " 7* . [hats the premise of [)rawon Entertain production. , '- V ‘ inent's latest ( oriiedy, The (lrazy Time. play- i But he was able to get some interesting . .4 mg April 1:3 to May ’1 at the St Jacobs (kiunr insights into production from a friend who . l ' ‘ '9 , tri Playhouse was pan ofthe original cast. ‘“E _-. V [â€"3 . ‘ It follows the story (it Miles Gladstone “He played the part l'm playing now,” , ‘ » ‘ who seems to have it all until one day it all said Brown. “He lives in Spain now, so I ,- fl; \ / 1 ~ ~ turns to mud His business partner is cheat, wrote to him and said what's up this ‘ )‘g , ‘ ’ a ' iiig him out ot his bust , 9-" “He said it just takes a .. " ' ’ ‘ . ‘ ’ ilt’sst and his gorgeous ,' , lot of energy. and I said _ new Wife is leaving him , ‘()h. thanks,” ‘ ~ " . . _ llie orin solace he ' Brown's character is I has is his family: but his -‘ ' on the stage for most of A ‘ ‘ - a . ‘ V dear daughter is having the production. and what - ' _. ' g ’ ‘ problems of her own _ he doesn't say with a line ' V 8 it title his ex Wife has he says with his face His tound a ho} to) other ' expressions Convey as oixii ending ant hopes I much about what's going ot retont iliatioii A, on With poor Miles as . lune is running out doesthe dialogue i to: the put upon Miles 1% > “It‘s an emotional a! ' :nil the laughs tome as WY ' : roller eoasier for ms '1 lie tries to sahage souie ( haraLter‘" said Brown i ” thing Iroiii it all ' A "And since I ni not of? the l ‘ lt‘s Mitten hi \meri Paul Brown stage, I'm always out It ‘ (an \tHIl ltohrn kl is ho takes that kind of phi/st i won an loom and three \‘sriters (iiiild til (.il energ\ and a t't’l’Idln kind of emotional ‘ _ \iiieru a '\\\ttr(ls [or his work on lhe Midi energy to ptill it off" ; , lillllllll \hoss Hewitt tied Met Smart and lllt‘ Brown Is helped h\ a talented (tist that ‘ ‘ “ V - V M smothers llroilii-is ( ()ltli‘tl\ Hour tit-lore ‘plais well together" ltl( hiding lat/me Min . i ‘ "V" litigant; a. - “-1.5, b 3" .. ; lt'. ing his hand at the stage He is perhaps strong as \usan his daughter (yordon (yam ‘ r . f 1 “ i ' t v“ ' ‘ """n':4?”-fi‘.i~‘,1;3}‘~‘~;yfl; he ' iiioisn these dais lot heiiig the t n-ator rule as his business partner lerri ( onro\ _ ‘. ~'r _-; " ‘ I” figjflrfi 5; iii the long running hit \ned h\ the Hell lea Mle tndeinha as the "hiriilw" llirlt Knudsen sigma}: ‘ N. t. ,.. ;,,.,__f llllltli‘ i liatai ters lilu' /.tl ti hell» \latei and (.alirielle Iones as the ex, kale (dad ’45?“ 3 M!" "at” 3 ii ”i. ll»! and \t ieet h, who attend llt tioiial stone |)iret tor \laiit Rash proi ides the 32*": ” 5.5:" Max adv High the teen 1 unit-iii was "'1 ends glue til ~41: i 5*}: ‘ '* we. , We.” sent up in a shit on the loiiight \hiM, teatiii lltoun said the\ all proiidi' the support ‘15”- - . - . N- ~- iv.;; liniiiii |.illon and iieiided onion lllllt‘ he needs as he tries to negotiate Miles lint-and you have to hea part ofthat eonver that any audienre (an relate to With the llll t tan lune has got a modem st'tist through his life turning into shanihles satioii iotneds' ultiniateli ( arming the da\ ltllll'. and t‘s the kind of situational tlilllt‘tl\ When soureon the stage the whole time “You have to tiring the energy even I! lor more information \ isit one uould eipeit \sith that kind ol trait um I ant suddenly talu- iip a hobby,” said more not speaking " wwwstiaiohstouiitrsplaihoiise ( out or tall It i aid said Paul ltrown \sho stars as \liles Brown with a laugh "You suddenly have a It all leads to laugh out loud situations the ho\ othi e for Ill lets at 'il‘t trim Al I ENTION BUSINESSES " ' ‘ " T i“ “ "k“ I. 0 fl " $13} $â€" â€" , lEADERBOAi‘ -- { Va ‘- i- a l. , , .2 . :â€" . a =â€"- a IMPRESSION w in > ‘ g3 V) ' AA»; ‘i ,. ‘ 31:27 ‘l ‘ ‘7 E=-~ ~ . l; {‘2 ., I - .‘ -‘ w. . U Q a a (\E. .31. ‘ 9" e l i ‘ l ‘ f f «immiiimcanmmsioezaaosooxtzaz “» v i "L05 U - l

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