WATERUX) CHDNICLE'chnclday, March â€.20â€. IS Bands on the playbill at Jazz Room I "Iâ€; 3M it - Ht‘t‘kt'lltj thi‘ (mind ' â€.5 Fm, i i 1“ \iii ii-H IHI‘\1‘!|I\ “if; ,5†"K , ~v 4' wk}; ‘1" ‘ t.:H‘,"ilI}_L(HHAl‘H\ he." _, ’5' if ,‘ tTt'ltltllt1.itii(’\h\ J a ’1. ‘ Illâ€; V’fgï¬x , / i i ‘i i ‘Hltlt;\}t)‘ttllhl\ ‘ ’ «7, ~ "- > ’4' 3: 2L ' “z ’ i i i Htipnxllt‘ «it lu-r\ ‘ 7 ' " i L: :~ net] in in (intuit the W you Tube x i A was â€our iii Ht itii'xqiitirii'ts “\ . “x . Z; Musmbu‘fubeat iiii timid). IAN!“ tfl‘t' . ‘ “ ‘5 ’ “'3 W HutH PM makes his ï¬rst \‘tNll I "-. '- ‘ tasteme in iiii- Lin Room lk’sciihod \ t . ‘ ‘ ' o/Mlnml (AN ‘Iiiiii Wants playing the g“, I tiihiiv barked up by Iht' Jason Freeman-Fox plays the Jazz Room Friday, mmmio \Lihtn ishnu ()rchcstrii‘" "39‘3â€â€œ work â€8 With a 'UWW‘E Limii And his hand Opposite manrhix fuses his mots (if 1987. the result of a musical iminxaw or ptsymg the piano With -' iii iwnlhing transform his fiddling Wllh his study of collaboration among four of haunting bait; Charles Peachock ‘ ‘ iiiiiii AH' i‘uiiipnsiiions into Indian (‘Iiissiuii music and th¢ best musmians on the "me! W55“ 3 beat His creativity: , ‘ I AH iiih'illtith party tau. 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