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20 - WM l RM )1 ) CHRONICLE - \Nediiexlay \o'vriiiber lJi Jul .1 Richard 1‘ BdllX ’ , O I O UW 5 drama departments modern update of Richard III comes at the rzght ame 8" Bots va( combat H he was probably beaten 7‘ __ chronicle Sta/j i to death by a bunch of people “The bones give us an opportu- hat would Shakespeare's F - nity to ask why they needed to tell Wmost popular historical the story that way instead or reprer play Richard Ill look like senting that moment in history" if it was staged in the modern Robertsâ€"Smith said they explore world where social media. instant those historical dichotomies by communication and high defini- cutting the text down to about an tion video on YouTubeall combine “ hour and a half from the plays to colour our perception of reality? usual four hour running time, and That's the premise in the Uni- parse it down to its essential details, versity ofWaterloo‘s Drama depart- “We cut it down to tracing it merit production of R3 that shows {1, down to those moments of poten- how the march to power by Richard :3 tial opposition. and then set the can be interrupted by using the ‘ world of the play in an augmented tools of modern communication reality,” said RobertsASmith. “There for resistance. All it takm is a cam- is live performance and there is era phone and an unflattering situ» pre-recorded video and three live ation and you have the case of ' cameras that run feeds simultane- loronto Mayor Rob Ford. ous with the action. But Jennifer Roberts-Smith, “What you‘re seeing in the video who directs this ambitious produc- Kandi Prosser. who plays Anne, is swarmed by the media in an modern retelling of Richard III. no»: ”(Show image is always different from what iioii using things like ’l'witier and you're seeing live in some ways. You high definition staged broadcasts see the live performance being lit tllYIlll' :lie audience's attention us accept their actions and we and what we can do about it“ lic dnitikeniiess and what is getting recorded and the broadcast image silil'.\\ him the reptilian Richard's chose not to talk back or act iii She‘s said the theme was devel hammered is a nice example of replayed and how l[ is different iiiiilt s were much tnore than the opposition " oped long before the troubles cur what is happening," from the live feed." work oi one man driven by a quest the way that leaders represent retitly facing lord in loronto. but it the show was also in pre-prnv Characters also communicate tor t)t)\\i‘l \he explores hovv people themselves to the public is such a speaks to the events and the tech duction before news ofthe remains through mobile devices and the i"liii\lt‘tl him along the “to and key question for the Wider world nological developments that have of Richard lll were discovered and audience is encouraged to join in him their actions or that lions led and Will be pointedly task :i of the contributed to the mayor‘s piiblii showed that the popular mythology by followmg them on illt‘ll smart to the final outcome audience who attend the t erfonii Harm-out that has made hint an that has grown around his untimely phones or tablets \\hat I realls sec at the tort or aiices that begin tonight at the [he llhlt‘fi ofdertston death is also now in question “Because oi the “in ll is staged \lltlht'\[)l‘drl"\ pla\ is all oi tlii' .itre of the Arts in the Universm oi ‘Reallv the last couple oi weeks Most of us thought we knew the different audience members Vstll opportunities that the charm ters Waterloo s Modern Languages in lorontti have drawn such vmd historical facts of Richard's death, have quite different experiences oi and lllt‘ audience have to stand up lluildiiig attention to the ways to him lord as presented by Shakespeare him- the stage action" said ROlH'Hs iii tlit‘ \lllillllvu said Roberts \tiiith “It‘s a km question for us mm iii describes what he does anti how self, but nov. it seems he met a lsmith "We're using this historttiil llti'\ i.ill s.i\ \o to the tyrant but our iiiltiiref' said Roberts Smith other people talk about it," said rather ignohle end at the hands of story to talk about ourselves " Him iltitii "It’s not on|\ mainstream media Robertshmith “What really struck his enemies, R1 runs from Nov lit to Vos In It \l‘t‘llh iii the that \hakv but how we construct ourselves to me are the upstanding (IIYCUUHCIL “it's another wonderful illustra at UW's Theatre of the Arts lot spt'Jlt's pi.i\ is about win we don‘t one another through social media lors talking about public drunken: tion of how we use history to talk tickets. or for more information si.iiid up“ it s asking that question "We‘reconstantlyenactingsome ness and how lord is saying be about ourselves.” said Roberts- call ism-88874903 or visit about “ll-H is it about people in I(lt‘d oi ourselves and it changes shouldn't have got hammered Smith “The cause of that king's wwwuwaterloo cat‘dramai‘perforni power when they speak to us make how we know what's happening “Even the difference about pub death wasn‘t by noble one-on-one ances' I g" . 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