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. . \ . . ~ . . . . . WAllzltllXHTHllONlCl)‘. 'Wednt‘sda). Iuly it All i '9 T ‘ . t it t 11.1mm llll:(.llll().\l(.ll, Closeyoureyesto Where is the analysis llWm! the Protest. do they know . r ‘ ‘ the cost? No. They are waiting for 3%. y - I: e 0' I or o It ‘ for costly LRT? tenders for the project from three :5 ' en Waterloo Regional musltlnatiéinalccompaniesw- ' - ‘ 'â€" he founder of my favourite horror magazine Rue ‘ Wound] approved the light (1))” en haughhm l ideman a . Morgue. Rodrigo oudino, wrote and directed the new i rail transit project in 2011, prochaims l" I e {OlmC e, on IS . 1 . indie honor film, The last Wlll and Testament of R05- neither the route. nor the cost of the .0“ the “If! and we wrl not be tum- } " alind ”'8'? released on DVD this week i projectwasfinalized or known. {"8 aced all {BSIdCNS ShOUld be ». ., A longtime fan of the honor genre. I've watched the trailer ‘ A costâ€"benefit analysts had not confer" ' "0‘ ".151 taxpayers: . many times and cant will?” '0 the film. The haunting V0593 0f ‘ been done. endered prices have still not narrator Mitch Markowrtz intones: “When communicating with l The approval. in 201 I, of the evein been 'lUb‘lllbned to thkiregion]. . .. the dead. it is not necessary to resort to elaborate techniques or ‘ biggest infrastructure project in the {agng‘il‘ulclglstsstl efi'goflill my; obscure occult rituals. It is merely a matter of moms ourselves ‘ region's history. without a cost ben- ahead ‘ y ‘ ‘0 [he "18hI frequenty A” that '5 WWW ‘5 a quiet place close . efit analysis. cannot be considered LRT COS“ a arentl are no - to the deceased. Find a comfortable place and a relainrig'posi- "exercising due diligence” by this obstacle for thesggouncillzrs when -' tion. Close youreym Someone else ishere. You knowwhoxt is ‘ council. _ . . _v = The story begins mth an antiques collector (Aaron Poole) ‘ In fact. in might be considered n com? ‘3 pursumg [his [”2le d t . inheriting a house from his 931mg“ ’ ' quite theopposite. 'th IRE} “'s'ondwm‘l’ve ogowlatl‘ ’. 7. mother (Academy Award winner J Capital and interest costs oflight mid Tomvla'filrlrbivgyfrlnutrhee sam'e L: ‘ Vanessa Redgrave). only F0 discover . rail are still not known to the public. Amt]? ' - _ ' ‘ " that She had been‘liVing 1“ fl shrine nor has the need for this project lt robably was but council did- I f devoted toa mysterious cult. 500". the been proven. yet these councillors n‘i volt:- to a ‘fOVEllf until 2011 / .7 s; new W71” “we? to “5.9"“? that his continue to blindly pursue the LRT Perha sptlljiere did 't be ‘v J . -. . - ,; mothers oppressive SP'm_5n“. “”395 t experiment. 1 P - ‘ n seem [(1 3.1; . , Within her home and is ustng items in if . 1 No other municipality in (anada d need for 3 mm benefit analysis at 1' T . ”f!- the house to contact him With an m w or North America, with such a small that point “:19. _ I " ' ' - if?” ”Eff" "“5538? _ '“x l tax base, supports and operates a Alan Ramon he»: ., ;~‘ 1;; . . “got; The house is a very scary mansron, - ‘ light rail transit system. Why? , Y 232“": 2%??? :1, y 3 ML? ,. full of all kinds of statues of angels and l Two years after ((Jllllt‘ll Waterloo ‘79}? E: «flusMJLW/g , , 12w strange objects. 531d Markowltz, ' "7‘ - _ "‘ 'N *“‘* ‘V' *‘ " ""“ " “ Canadian television legend and associ t ”'Kâ€"‘W”‘ ‘ H’R‘R‘fi ate producer of the unforgettahly ofi- . . ‘ 1 beat children‘s Show. The Hilarious MARSHALL ‘ In the do da 8 of 8 er * l 8" m * g y “m ‘ "This is not your traditional slash ‘ . l and gore horror film. btit rather more of a suspenseful. super 0 are in to lht' dog days of summers, t know urban ndings it will be a big step forward. and per l ‘ natural thriller.” he recently told me over the phone from his Wm” hfi all“. there's a dog who won't hunt. naps bet-nough to save Hudak's neck, loronto home. The awardrwinning movie has been well and another dog on [hp way As for the dog on the way. his name is Humphrey. i received at more than 30 film festivals worldwtde. including the Thai ”()nrhlllillllg dog is the packet of hyplpcnnns and he‘s not coming to otir house. Instead. he will be ‘ (mint-s l-‘ilm Festival. living held on ”mud,” \lrt‘lt hing front Windgm‘ liying With our oldest daughter. who always had d "A number of (”tics and n-vtt'wers have said this a very. very ‘ through [notion and into loronto and great big soft spot for our last dog ‘ mien-sting use of the narrative affect. because sometimes films ()ttawa. \Villiatn He passed on almost three wars ml! use a narrative component to a large extent. but this whole We're ludty t stipiyiyi out p we don't { { ’ . ago ‘ film is done using \‘tiit‘tmver," said .‘vlarltowitz. who plays the off . have to put tip wilt .Ilt\ of that turn. ‘ A t'tinihiiiation West Highland term-t \(rt‘t‘ll role of the communications roach “Communications in paigningt‘lost- to hoitit- [H H I I: [\l and HIt'llUn l'rlfll‘, Billy spent much of his ‘ the st'list‘ that I proceed to instnict lmn through audio tapes Probably tit-st not to lord that over the life wandering around looking for some how lti t'ommunicate With his deceased mother.’ poor unfunundtps who do have to live one to \( ratt h his head or throw his green ‘ I told Markorwtti that some of my favourite scary movies til » ith it The h\‘t'l('( lions wont ( hange- ‘ ;; teddy bear V)m('V\"h(‘l’t‘ so he mold boat It 1 all [llllt' include [he Shining, fame. Rosemary's Baby. The Little much in the legislature kaihlm'n Wynne ,. ' up . (.irl Who livt-s Down the lane and The lixorctst. “’lhose memes will still fx'tht'prrinit'ryshr-n it's allow-r I .. lht'ni‘s no question ht- Will be Allisoiis haw logs and people are Sllll awestruck by them," said I find it dimtult to homin- sun"! poo :v, if dog. She's made that titiitr t Ivar to “('7 Miirlitiwul. who will bi- a featured guest at loronto's Rue plv wrll still you- | tin-ml after all thy mother, who has been lobbying for Morgue lvstival of fear in late August. “And I hopt-this film falls things that haw happened. but It) oath j ' another (um friend of her own for quite . into that category and stays around forever” their own And lt'dllsllt‘alh thr- Vlil' and . some time It's not that I don't want our Marlow-an appeared at last year‘s H'Sllval of Ivar. so l iislml mt- ( I)nS('r\.|[l\l'\ door we”, .4” in,“ ‘1 a t'Vl'lllllall) but now doesn‘t swm llkl' the- him what his ('XpOl’lt‘nfl‘ was llkU meeting thousands of horror tornpelling “ right time It‘s l’N‘t timing apparent l no fans " lllt'V'lt' very enthusiastic, the people in that gr-nrti." hi- If the vote int-ans anything. to any (tune wrong about this said “I was also surrounded by [ll’tXllKI‘f‘ of indt-twndt-nt low on“ ”"118?" "Mm.- around lirn ”mg”. BRIAN ldon’t trust ('llht'l one ol these people budget horror films. and they Wt'l’l‘ the most passionate peoplt- If the pany loses all fi\'l' of those smits_ it BOURKE in this (14* Hind lht' norm-n in my llft‘ to l lliIH‘ ever lnt‘l iii the movie industry Horror has lK‘Cllmt‘ wouldn‘t surprisi- to ’10?” rllnihllngs of . m 7 be very tricky people. especially whr'n it mainstn‘am. and wow. the audience has 4 hanged drzirnatitally disamtont Within that party tomes to getting something they want ; l int-an. it used to he lust for young Wl'lnliis and that s .ibsoltitr- Hie last couple- of elections have prtht-d a gold You've lilo-l) heard about the West Highland torn ‘ lv not the t aw anymore ' t'll opponiinity for the party. whiff] has largely fnt t'r‘i rescued at the (anthridge Animal shelter Why do As a former young Wt‘lnlti who lt..-. tlt'\t‘llljtt‘tl a grown up ‘ int-d it away through a combination of poor tam lgt-t the feeling this is just a matter of unit-7 . ‘ .ipprt-t ration for the germ: lt'ouldn‘t ingot mow paigning and a weak platform “‘ l . ... ‘ My sense is the N”? will wm a rouplt‘. and ”I?“ Brian 80“,.ka (1 ”WM“, "It,” 105 «Anal I H l Marshall Whirl is a i/Ltiuil ilfllil and Intuit “in!” ‘ als tsomehowl Will take the rest. If the (onservatives mnmtnittrvut ran ’7? M10104 ”VP "VIII!" ‘ f R *(i l . , I l l , - . ~ . .. . . . . librerhiol/m mm 1 I" or (hr Magnum "11“ U urmmr a 1 tan malt ilirt altthrough in any of thtse largely ‘ marshal! lumlmmm'm,mm I . t t o .