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Waterloo Chronicle (Waterloo, On1868), 6 Mar 2013, p. 17

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WWW-Myanmar;- r7 Top Girls 0 O C 3 UW Drama production asks Just how far women have come Since the 1980s? '- 378an “mm“ amiable Sta” ' dine said the play sugars that , once people become part of a _‘ playsetinMargaretThatduk ‘powersmicture,theyworktoper~ Azrdandthattradsdiesuwess peaiateinsteadoitryingtochange i a career woman. and what it. that really mam, aims to put the lie “That's scary, and you hope 3 to those who believe the M for ' you're not going to be that way,” g” wornenkequdityism 1 said Cline. “But even today as a If anything, Top Giris. put on by A?" 33 ‘ woman existing in the Waterloo ' . the University of Waterloo’s drama ~.‘1~‘ Region you hope that you don’t , department March 13 to 16 at the it?» tumoutthatway, but ithappensall ,' achool's’lheatre oftheArts. tackles f“ ‘, thetime.” ; the moral dilemmas, political _> m (3: Her character has some of that j issuesanddasssu'ugglesthat mod- f N “ we -, Q' , '- M“ self-awareness about how she ‘ ern audiences can still relate to as ‘ eh ‘ ‘ a“ 3' .,. wants to be. but how she operates women continue to try to break . .. 11 , " " ' and how she ends up are entirely ~ throughtheglassceiling. V‘a : Q mirehtedtotboseideals f Director Saul Garcia Lopez, a 35“? ' é . = “By the end of the play she's 5 PhD candidate in theatre direction w.) A totally deconstructed and you see at York University, said it's a politi- f how pathetic she can really be,” 7 cal phy with the image of'l‘hsmd'ier. 7 said (line 1 Britain’s first woman Prime Minis- "She has this way of living and 4 ter,hoveringoverit$hemi§rthave ; thiswayofperforrning forthepeo- been seen as a feminist role model, . ple around her, and the way she _» aseptforthefictsheperpetuated ‘ f actsintheworldhasreallytomher everyclassdivisionanddasssmrg- aparthtalresabigtollonher.” ye that most progressives still rail Garcia Lopez. who brought a againsttothisday. MididkKsflesudywo‘mSpweluMGrnCusamamquhm,mes uniquedirectorialstyletotheproâ€" mmbaNmpoh'timlcfifi- PatientGriselda,JennlferoodethamashewaitrsssandAndreeal-ilmcuasPopeloanpetformhtMUW ductionthsthadtheactorslooking cisrn of the Conservatives of that Drama M4650" °f TOP Gm M09 MON“ '3- mm for knights into the play and their time. and the changes that Mar- charactershyeocoungingpersonal garet Thatcher broached.” said sive figure who can still stir up a lot She is in the generation that tionally understood. But in trying exploration instead of a slavish ' Lopez. “She (playwright Caryl of unsettied motions many would prescribe as being to dkcover the motivation for her devotion to the text. said it really Churchill) talks about that oontro- The play explores the life of a post-feminist and not really believâ€" character she found a lot of the ends up highlighting how social versialaspectotwhatitmwrsto characternamedMarlene,aprod- eisofthetenantsoffeminismand samestruggiesandissuespers'mto smictmesoontinuetosurvive. . be a woman in power. uct other times who strives for suc- women's empowerment as tradi- this day. “These structures limit the "What are the perspectives and mast anycost. Shelearnsjusthow "We talk often about how being number of paths women have to what are the options that women much success costs, and how a woman you should be an ally for succeed,” he said. “It limits them have in order to succeed in life, and women have fewer avenues to get other women.” said Cine. Tut my when they compete in a highly ' in context with Margaret Thatcher ahead. character comes from a back- competitive. male-dominated envi- it reallyposesthat question.” “She illustrates some of the ground where she really had to moment, and it still remains that While there have been more forms of power that really exist." fight to get to the top, and once my. modem works adoring mama’s said Garcia Lopez. “Some would she's there she’ll do anything to stay “We won't deny there have been legacylike'lhelmnladyieaturing sayshe’sjustanotherman." there. hugsdmussincethelsoosbut Meryl Streep last year, they have Theatre arts major Cassandra “All of the women in this play these structures are still with us. ‘ had mixed success in exploring the Cline plays the character of Msr- are dimhing over each other to get Just check the statistics of how dichotomy of her impenetrable Iene. and tries to embody some of to the top, and really there should many women are employed in dif- J nature while broaching the topic of the values of power polities, when: be some may and they should ferent are“ of society and what . whether she was reallya role model it doesn‘t matter how you get there be fighting together but it doesn’t they earn. and you’ll see there is for women. She still serves as a divi- as long as you get there. happen that way, which is really still a lot to do." i “ , t . 1 3 . c i . â€"» . . " h 1 ' i r a 93 > rt M t‘gufihiwu’le g 1 3 ‘ N K .., ‘,"..“J\\./'\_,/ a f 3 . is _i wins} x ; , 4! Pfgygffifcgr ’ ‘ ‘ w ‘ i: ' " ' I ,â€"5. -t it 3 BK; bale » t , _ . J! t , ,

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