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Waterloo Chronicle (Waterloo, On1868), 31 Oct 2012, p. 17

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WATI‘JIDOW'W Mommszon- t1 0 t- - attc U , C I 0 Art meets new technologies at The Clay and Glass gallery 3 newest exhibition I ' I it V: on! ”it .l‘~"1&i. . A. ' ,, > \ a ; " , " .55“). “m3“. t. ,i"‘5c‘itif “if if. . .- , “i .. 4 ' . »' . . 7.7%. i - ‘~ 953;» at: ‘ -' ' l I ' 1 s ‘ - , . easier is”; 115574492 r l i ‘3‘ ‘ . 0 ? ..--.:*é§ :. '7‘ ;, arteries '. ‘ ' a - ' P 5: ‘5 if; 53;}: “wig/$555535". 5‘ " 1.5. if {Q . . “a 1 ”5 ,. , N ”t :33 ‘5 ~ :7? t: \ ‘ , ' ,gifgfi'fiiga: Hwy- ' ‘ \ ‘ I“ ' that. We ‘31 ' s ‘- :. at < $1.“??? 3’ « .4 a“ ".T ' gist y f " “‘1 . , alwa- . . g -‘ . " laid-3c.“ 35'” It 1 x» .‘j .1 is. ”a . > \\ I - ' (a 3n reg-.3? , 5.‘ fly: ~ 5 ' ‘ g}: .:5" 53‘: ~ ‘ , ‘ . «9 retail ~ '5 . .. we; 5 ;.'f1f‘Vl‘_: . . q f “My ,1 my ‘ , ~, .511 3‘. 773.33%;Z-Hm ‘ifig i Mi 1 1'. 7'1, T“ W‘ _." I it a?" l I K o . fl ’ ‘ ”at . The replicator, above left. demonstrated how 3-D printing was done for the exhibit at The Clay and Glass Gallery, but the mechanics of the process didn't inspire the art produced by some artists like Susan Shantz, pictured centre. whose deconstruction and reinterpretation of four little Japanese teapots took her in a totally different direction. it also inspired an intricacy in detail that wasn‘t possible before in the works of Guillaume Lachapelle, like Evasion 2 pictured far right. mum mom By [30an one liner." Ann Roberts and Tony Urquhart. said it's interesting things we would get through the a 7 5 .. .. (51715939 5310' 7 When the novelty wears of? what does the interesting exploring new technology in the process of making the 3-D one." piece really say and where is the artistic heart ofCanada's high-tech hub It ended up taking her in an entirely differ- hcrt: is a novelty attached to 3â€"D printers. vision? That's where the pieces selected by The nearby Perimeter Institute can be ent direction, and became inspiration for which take intricate data files and build Singer have some meat to them. They inves- seen outside of the gallery's windows, and exploring the happy mistakes omens out of it that people can not just tigate the technology for what it is. what it she thinks the creative process ofam'sts and "We noticed that there were a lot of visualize. but actually toudi. could do. and what ideas come from it. how they come to things maybe very close to byproducts that could be part of the exhibi- But where is the art in the new technology. "What kinds of ideas come up in your the physicists across the way. tion because it points people in the direction and how are different artists using the head when your thinking about making More importantly. asshe looked to decon- of how this can be made and what does it advances? That's the idea being explored in copies.” said Singer. “That goes all the way struct the piece of Japanese pottery she say.” said Shantz. The (Ilay and Glass Gallery's newest exhibi- hack to casting bronze â€"â€" you can cast so found online and reconstruct it using the For Lachapelle the device allowed him a tion Arlyn-Mam: Art meets new technolo- many copies â€" but there is no less amount new 3-D technology. she soon found the mis- precision he couldn't achieve before and sug- gii-s. which opened Sunday and featurts the of work done by these artists in putting this takes made during the process were more gated adiflerent vision he had for the piece. works of Claire Brunet, Future Retrieval. Guil- together.” interesting than what the machine intended. "Before building sculptures with the com- laumc lachapelle, Ncri ()xman and Susan The exhibit includes one of those 3-[) “I took a mold I had created off a 3-D putet l was already doing quite detailed Shanty~ printers turning out little animals. like frogs printing process and l was trying to take it sculptures that were similar.” he said. “But “i was looking for cvratrtic and glass artists and doors. made out of paper. But the tech- back to the original materials." said Shantz. they were made of wood and cast resins by that were working with this new technology.” nology that artists like Shantz and lachapelle “My original materials were four little tea hand and with traditional techniques said (Zhnstian Bernard Singer. gallery curator. use is much more advanced and can do pots made in Japan over a 100 years ago, but "When I learned about this technology I "l‘hcm's very little work to pidr from. and at works in clay. polyurethane or plaster. as a sculptor there is a lot of missing informa- thought I could push it further and go into this point a lot of it isn't very interesting. In fact. Shanta. who grew up in Waterloo tion when trying to make something three even more detail and experiment with the " l‘hcro's a lot of ( (ml factor to this stuff. and studied fine arts at the University of dimensional.’lhe first goal was can we make process.” and a lot of thi- ‘wuw‘ thing. but it's really 8 Waterloo under the tutelage of artists like this, but then I started noticing all these The exhian continues until March 17. " .. 1 “ \ "TF1 'N‘ " A “ “l V7. Tl "a l ‘ V? w Al:‘\]l.‘r}.\\.l‘}‘lr\l\\[li'i\f. i llvl‘:|!'\l\k\‘t “ ‘i“- I" ':"l‘.3 t:"t.\l\) ".l . 2 . ~ . - . w . - - - .- - .. ~ - .’ <5 ~ .. . r” w; a: V . , u 4 . _ 3 V... ' fl 3. . . , x 2009HondaCMc 201on Accent 2010 oonarlle 2009 » otHHR 2011Kia-u 2009 ..-n .~ H4 or (. . A? Whmh, 91km Auto. Air, Group. 70 km Aim, loaded 91km Auto. 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