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Waterloo Chronicle (Waterloo, On1868), 18 Apr 2012, p. 29

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1 WMW‘MWII. an it â€"â€"â€"â€"â€"â€"â€"â€"â€"â€"â€"~~â€"â€"â€"â€"â€"â€"â€"â€"â€"-â€"â€" , 0 - i reatm a cene ' ; l . o O ' , 1 ArtsAlhes brings m the numbers, manymg Waterloo 3 tech and arts crowds l - div " r' ‘ ” ‘,’.’,"19?'-§7§z'i“ 1 _ ‘ t , ' A gi‘p‘) ‘ I - N-\ . , _‘\\‘ ‘\ " X it it ~. . , , ,' _ ._l\ 1 “A \ iv 11. 3“. -~ .\ , , a ~ _. l .> ‘J; . 2 sh}! 5 1 Si ‘ "‘ ' ‘3 "7 3 33" K i I, w A ~ ' ’ a I let it we \ I . “it , urn . 1.4“ ., In. ~ 32:33: i ,;.<f-f,= Artist Woody Woodfield's experiments with graffiti on wooden stabs is ‘ a N.» part of Art Allies‘ latest exhibition called The font: you can't find in |_ Photoshoo new-ova i Br 80an his family as he hoped his would ‘ , (Jimmie Starr become more than a Mbby 5 - “Misthefiratrealkindofbig Ir oody Woodfield‘s an lit- show for me." saidWoodfield, who if \v I_ erally comes from the wasbomandraisedlnCambridge 7.3 other side of the tracks. and still calls it home alter attutd- _, ‘ , as his graffili~inspired works ingartachoolatSheridanOollep Q ~ 4» would often appear on the sides of and George Brown College. ‘ a l . freight trains or old relics of the "l've never really had a showing 3 . industrial age. before." . J His bond with the past contin- But there were his works I » \ r ties with a showing at the Com~ mounted in their full glory for \ f munitech Hub â€" the former hing people to see along with another ”X ' M3 1 Tannery â€" in Art Allies' newest local artist named David Hoover , _ . I 1 exhibition: Thefonts you can'tfind who shares a similar urban art § , ' ' ' v z, A ' "f i in l’hnloshop. sensibility to Woodiield. ‘ . ( I m f _ 1 it was the latest venture from They collaborated on one of l ‘ ’ ; ‘ , . t i 5 the local ans movement “kins the the famed pieces is both use om Hoover. Prophet: of Hip Hop Vol2: smut: new, is one of the mating works also on sale from Art Allies. 1 work of unknown artists and recoveredwoodalahsaaeanvaases , mmwwmm 1 introducing it to an appreciative for their newest works. with the l rim-It‘d) crowd in a bid to boost natural grain adding aomething to sectorand beyond. of just raging.“ stronger. tracking ahead of last l the mauve sector. the ten and m ’ “To me it's been great." said lacqul Murphy, founder of Art year’s numbers 1 And I! couldn't come soon “He'; kind of shown me some Woodfield. “ARC! am school I just Mliensaiddiewordiagetdngom. “People are really hearing the J enough ianoodfield who said his thing." saldWoodfield of the can. found the art scene really stale She used her connections in messageloud andclearabout pur- 1 art wasn‘t well appreciated by the laboration. "l don't know What to and stagnant. the high-tech sector to build up diminution! an.’ said Murphy. 1 local constabu|ary which left him say. I'm the new guy ao it's been “Once l got involved with Art the mutually beneficial relation- "They’re definitely getting a 1 wondering it he would ever find kindefmind blowing." Allies and saw what a lot of these ship between Wand tech. better appreciation into the 1 an audiem t' for his work. it wouldn't have been possible other artists were doing. I fell back in its first year of existence Art amount of work that goes into i He ”Mind in starting his own without Am Alliea' work to intro- in love with the am scene again Allies generated more than producinsthepiewa’ j silk-scret'nlng business' called duce exciting new artists to new and I am leaning more “Nominal-shim mm it's also having a plenum side 1 Spun Tunic Productions. to feed an collectors from the high-tech towards doing gallery stuff instead So far this year sales are even Moon” I E g = i g mat-s we Powen or 3 §§f WE HAVE A GROWING NETWORK ' w t sin WITH OVER 400,000 HAPPY CUSTOMERS. W l N D“ 1 v 9 S ‘ gag ”l I ;§§§ JOIN AND FlND OUT WHAT ALL THE HAPPINESS lS ABOUT. ‘ s 5“ : gig r gig; WINDmobiIe.ca ‘ , ; l l A“

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