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.v , .. m WATERIDOOWOWMILZOIZ-n It’s all 11. 1 your 11. nagu' nation 1 . C C O I ‘ Drayton tells the cunous story of a man and his tmagmaryfiiend named Harvey : Bv Bo- thw‘ 'Who 3 really the crazy one? said Mus- t 7 ~_ ”Wiggle Staff tam “We have a lead character who has ‘ this imaginary rabbit. but at times during 1 Ith the Enter bunny's visit out of this play he seems to be the most sane j Wthe way. Drayton Entertainment amongallofthem.‘ . will be hosting the visit of another While the production probes at some of I invisible rabbit this week in its production those important truths. it also does it with 1 of the Pulim-r prim-winning play Ilamey at comedy so as not to beat the audience over 1 the St. lacohs Country Playhouse. the head with a message. Hyou can laugh at 1 Harvey is the six-foot tall imaginary the foibles of the characters on stage you I friend of one Elwood P. Dowd. a character can probably see the absurdities in life as I made famous by Hollywood legend limmy theyarepointed out. ; Stewart in a movie of the same name pro- 'lt's important to ask those questions." . duced in l950. Harvey is really a pooka, a said Mullins. 'Ybu look amend today and t mythical creature that can only be seen be a see the high percentage of our society on I select few. but that doesn't stop his friend anti-depressantsandthingslikethat.‘ ; Elwood from introducing him to polite sociv There is also modern psychological 3 ety with hilarious consequences. research that shows children with imaginary t When Elwood's obsession with Harvey friends have superior narrative skills where , I intrudes on his sister Vera Louise's social- once it was seen as a character deficiency to } climbing ways. she has him committed to a be discouraged. So maybe Harvey and 1 sanitarium. It starts a process of all the char- Elwood were on to something. 1 acters involved in this farce asking what's Social convention might be one way to 1 real and what's not and who really is the lindaplacein society. but it'tiabotheicono- } sane one. clasts that push us to reconsider what matâ€" ' 1 Running the show is Drayton Entertain- tersmoet. 3 4 ment's artistic director Alex Mustakas. fresh ‘ mint: 8 big pm or this play â€" it’s the i from his return to the stage in the hit pro- ones with imagination who are the ones _ duction of 9 105:11ieMtuioal. who are free.” said Mustakas. “It's the ones ‘ i "It was aiuicy role.‘ said Mustakas about whodenytherabbitwhoaremt.’ t, l playing the sexist. egotistical boss that was And because the main character is a 47- ‘ l the centre of the revenge tummy that earned yearâ€"old man with an imaginary friend, I rave reviews and played to sold-out audi- instead of a six-year-old boy. the audience . 1 em "It was nice to get booedevery night." can see the humour inherent in that sinia- ‘ ‘ 1 He said it's a little less chaotic this time tion. ”This is something else." said Mus- 1 ' without the dual role of actor/director, but “has. -, 1 wanted to carry on the momentum of a Them scenehasalso becomeiconicfot 1 yeatopeningshowwithatimeiesscomedic theaudiericelsheorisntherealisaqnw 1 masterpiece like Harvey. tion they’ll have to ask themselves about 4 Harvey‘saclassicolthestageandm .Harveyafterseeingtheperiomnnceputon ‘ pletorgetthattheMaryChasewrittenplay byastellarcastthatindudes'l‘edSimonett. had an unprecedented four-year run on as Elwood. Michelle Fisk. as Veta bouise. Broadway in the late 1940s. earning multiple Brian McKay, as William R. Chumley. and accolades on both stage and screen. layme Armstrong. playing Ruth Kelly the ”ibis is one of those classics and actually W nun. won the Pulitzer prize for drama back in "Even the playwright the Indium ’ 1944,‘ said Mustakas. ‘lt played almost We) reellymrtdflnmebout it.’ mid L800 performances. and for a Broadway W‘lsd’ielesomethingheteorm? ' show to run that long it obviously had an "We'll let the audience decide whether i appeal.‘ dieieisambbitornotanddieycancomin- i Sowhat is the appeal?1hewarerait rep- uetheconversationonthecerridebome.’ resented some much~needed escapism. but "01wa eight shows a weekApril ll Mustakas said the show has a lot of univer- toAprll . saithemes. Ticketscanbeptudiaeodinpusonatdie ‘In essence it’s a play about accepting oatheheetentnck.’ «may it any hr people who are a St. Jacobs Country Playhouse. online at 1 people's difierent‘es." he said. "And it's about What is nonnai is often a question peo- little Menu! in thought or behaviour to www.dnytonentertainment.com or by call 3 being respectful of those who live their lives pie continue to at these m all! in an age mam. 5|9â€"747-T788. ' W hi With U ”' Canton: clutch ‘ . 83 A“! I. 3.. 743-4101 "We- - - t“ ‘ ‘ .. it": h“ “”3"”? m a” ”a $1 of?) mm 04-033:qu mange-cu Wars 1' Directo ca Matt at ' 31‘5". . “n.” “"""“P", 5"“ {g . ‘ m“ “0"“ ‘ W“ “J 51’; 623 739?“: 208 . > " a -. i n“w'*°'"mm-mwm “WWW“ I“ mmtller@cambridgettmes.ca t; . ~ ~4v haw“. MM”... wad-y- My - mamas-n