Waterloo Public Library Digital Collections

Waterloo Chronicle (Waterloo, On1868), 11 Jan 2012, p. 15

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‘ wannwoct-rmum-Mmy. mini-y “.201. II Makm' g the list 1 O C 0 Waterloo resulent gives MT Space theatre a national profile with must-see play ‘ thuomv Gâ€" Matar. “exploded on the stage and 9 spam! 10 [hr anionic-l: m gone before most people real- ized it was there. Pity. both for a alt‘rloo may be famous hugely talented company and for 3 ' Wtor its digital brainpower. those who missed them,‘ said , but Majdi Bouâ€"Matar is Ooulboum. \ putting his adopted hometown on Audiences will get another \ the map for something else â€" chance to catch The Last 15 Sec- I acclaimed contemporary theatre. ands in 2012. MT Space kicks off a I Bou-Matar. born and raised in tour of the play in Edmonton next 1 Lebanon but who has called week. 1 Waterloo home since 2004. is artis- CBC Radio critic and theatre . tic director of Waterloo Region's blogger Lynn Slotkin. who also } MT Space. a unique inter-cultural included the MT Space work on 1 theatre collective that spent the her Best of 2011 list. said her law 1 last two years wowing audiences in dropped when she saw the play. 1 the Middle East and hosting the “The imagination involved in ' v sold out IMPACT theatre 'l‘estival. this work was astonishing,‘ she I But his new work is also catching said. “Sogoodwasitthatlwiilseek M'l'SpaceAnistlc Director whimmmommmmdmuaismmm 1 the eye of theatre critics in Toron- out MT Space whenever and wher- for the play that has readied the top oftheatre am last year. ‘ I to. everlcanpossiblyfindthem." m"”""m""°""'°mm ‘ , The Last ’5 5“?"315- an MT h was high praisefor Mantrand Toronto. Traditional theatre the academef At a Waterloo Re ion of Canada, i think some theatre I i be d bo be 3 t We? {V a, m a sum e m _ r MES?” _ , way most people think about it in conference hosted by MT Space in teachers are willing to challenge I and his Y'mms’ "Udged out mayor It ‘1’” very mum“ to make mostly walking. talking heads. but conjunction with the successful the notion that traditional theatre } Pmd“?"°':‘s from S‘m‘m'dx the those ““2 ”We 5‘“?me and The Last 15 Second: is a clash of 2011 IMPACT theatre festival last is where the future lies for many of 1 Shaw ”sun“ and the N‘"°".al the Shaw. Bou-Matar “dz-1‘0 "Te . cultures on the stay, an explosion fail, Matar met students who had their students." \ ~Ballet to take the No. l spot on cnt- it s a Sign that theatre critics in of movement and dame and phys- studied hiswork at MW The last 15 Seconds is' perhaps “ ic lohn Coulboums list of Top Ten Toronto are thirsty for theatre that ical theatre. Waterloo Region's most important \ 20” theatre events reflects‘their am the real Toronto, ‘It tells a strong story. like any theatre export, an exploration of ‘ The play. directed by Bou- the mish-mash multicultural good theatre. but it also looks like “Th. . , the soul of terrorism. Using a mix I contemporary Canada.’ ' ' '3 IS.” tsome of dialogue, dance, movement. 1 my.» #1 " *mfipwe'sstrensflyasanhmr aflirmatweactlon musicandvidemheptayimagines {I . .lii, ' “ vator in the Canadian theatre m This is the meeting ofa suicrde bomber “1:“ .1" E:- . , sceneisalsoacomerstoneofthe pm ° . andhisvlcdrnswhodiscovereach ' - theatre group's vision â€" it wel- about cmflng other’s stories in the aftermath of " ' _ g ‘ - ' ‘ comes artists, writers and actors detonation. '4 ‘ from diverse cultural backgrounds. theatre that lOOkS The Toronto Star called the Ft! ‘ . 1chnlivreflin one ofutlhe Imost and sounds like the 3.2%?er yogi-haves]: s|ee. T171; ‘ . mu t in areas on e p anet. - - t on actu y asts - I yet for the most part our theatre CUI‘qu} 60111810" 2f minutes but the beauty and truth- . ‘ hasn't changed since the days of real-life Cdnada. fulness of its images will linger c? ‘ the horse and buggy.” Bou-Matar many years" I i \ said. "When people come to an , 'WM‘M This play about terrorism also ' . MT Space production they see mmmmMTsmdm' played to packed houses and Q themselves reflected on the stage, standing ovations when it toured ‘ x literally. Brown people. white peo- the Middle East in 2010. / !" pie. black people. aboriginal peo- “Theatre schools have always Now Boo-Mater and the MT I I ple.Theycollide onstage. prepared actors to work in tradi- Space players are taking it on a /' i "This isn't some affirmative tional theatre â€" Shakespeare. new Canadian tour. starting in £ ‘ action program. This is about cre- Shaw. American musicals," Bou- EdmontonlarLI7-21. ating theatre that looks and Momsald'hhhnplringtoknmv , Them ismtiayrone sounds like the cultural collisions .. that we are mama“ that's niflitat lawman- ofreal-lile Canada." ltdplngtollnarlenthat. dio'l‘beatre mums“- 1 Ban - Matar's contemporary W the the ofaborlglnal the- ing to the Burlington Performing . Pam Patel. Anne-Marie Donovan, Trevor (opp and Alan It. Sapp perform vision for Canadian theatre is also are. and with the waves of lmmiâ€" Arts Centre Feb. 3-5. and to ion- theexplosion scene from Them 15 Seconds. getting noticed in the halls of grationthathavediangedtheface doanrandTheatrel’eh7-ll. WOIVWW mum-”v , ‘ LIMITED STOCK-FIRST COME FIRST SERVE-IN STOCK ONLY «;;_ ‘ 10-“.- mm m . 5.0 w I.“ ”in K4 lad New Fillet” ”:2: firm 5 m: “w ‘ WG-5 11 'x ' M ' Plan 55380!!! Sikhism" “at!” like.” Judi] ‘ more] .~ 79‘ 99‘ s1 67 s2 69 $2 99 $7 99 s1 11 out. 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