WATERLOO CHRONICâ€: - Wednesday. November 23, 201 l v 9 Hi i“ it llIltl\I( I| ‘, t, t t t , t I Q lel “sz IO THE CHRONICLE I In H t Aâ€"_AA : Culture important to Personally. I consider the cultural (Zraig anti Marc Kielburger were . i , _ aspects of this city to be the main amazing as well. because of the . I improvmgWaterloo reason why I plan on staying in tremendous amount of energy they In on , RE' â€w funds culture plan Waterloo after I have graduated. have on stage. ' ' , I . , . I am roud of the continual cul» One of in 'favourite thin 5 about f s .i torrent urban planning A . t t . . t . . “mic,“ at u". â€Myers,“ “f titral evolution of the city I grew up We Day is the way Free the Children nice it Christmas Day by lann Arden Is my all-tlme 1 liV’llL'l'ltlt) l atn pleased with in. and I am excited to see what the has found a way to raise awareness. favourite Christmas song. With its hauntingly beautiâ€" the increased mount,“ a public future entails. fundraise. inspire thousands of stu- ful melodies and warm, catchy chorus: “lingâ€"aâ€"hng-a- ~ ‘ . ‘ . . dents and havealoi of fun all in one long, Ding dongiing-a-long," . lutiding to tulttiral development .. .. . , v . v . , Ashley Faulkner day; I love that song too. Arden told me over the phone. Just , initiatives iii Waterloo . . . , . . . ._ . l Sim? Waterloo is a man“ at“), [Vaferloo Unfortunately, Since I m in (,rade before a recent book Signing In London, Ont. I wrote It 30 | l t ~ » ' - 1 12. I won't be able to attend We Dav years ago when lwas just 20 years old. i on the current information technol- w D , ¢ _ . . . 1 03V, “age there is a constant need e Ely an With my school next year, but I plan I always wanted to do something With it. and I was so glad I - ‘ ' ‘ . ‘ . , . ' - ‘ ‘ . ' ' l rem m r it rs later, because I don't wri for educated and creative indiytdu- msplrational event on entoumgtng'my younger Slblmgs e b? ed 2,1" those yea . te ‘ als to provide the innovation necesâ€" to go because its a really great expe~ down mu5ic. I dont do the notations. l ‘ . . ‘ - ~ ' “But thank God I ut it on a little cassette ta and ï¬nal] I sary to succeed in this market. really EHIOde attending We Day "emf- P . .. P9 Y 1 Improving the cultural aspects of INS year. I Slill haven't calmed hadachance to record'it. , 1. I A , . , d , . I 1 b , . h Sam lamal One of this countrys most beloved performers. With 17 top- i Waterloo complements this idea by mm comp ete y Lcause t e . t . . . , , rovidin a creative habitat that experience is so uplifting and enter Kitchener ten Singles including I would Die for You, Could I Be Your Girl. I Stuarts arid retains (has “New,†gizing v» t . v' - f"; y and Insemiriue, lann Arden just teleasedanew album. Uncover 1 f . . ‘ y ‘ ‘ i - , ~ ::,~*. 14 ’ <‘ r t ‘ ' l ‘â€" , Me2. along with her new memoir Falling Backwards. 1 indeuals, Seeing a couple crowd pumpers t: ~ , ~t 4 . _ , , t 7 t f ‘ t h I h I d - h a, k. 1 . t Funny. Sincere and instghtful. Falling Backwards is a collec- I It is my belief the new cultural rom my OW" 5C 00 e P0 W" 4 ~ , - A ~ 1 . , . . . t t A h‘ , , . II d l h h l ~ "1:4. ,. ._, tion of lann Ardens 5101183 from home and from the road dur- i revttaliration plan for Waterloo Will 1 IS as we .an t (tug I earning v »' ' ‘ ~ -‘ -:. in her re celebri ars result in less brain-drain of creative (he W0 Day dance helped the CfUWd ‘ “' ' ~"'~»'- _ ' ' ‘ -~ , u 8m hgr matterfyolï¬'act tone she . l youth to bigger cultural hubs such to payatlentton right form the stan. A: -, fix, 1 2“’v;‘.;iԤ;i'f 13 frgijyhl£4¢gqt . - ~ A | ' _ v t f h . t . k c . t l t ' thffwysï¬â€˜: “same ~ sheds light on both the good and had , 35 10mm“ and MOHm‘fll- 35 W0“ 5" A5 0†l 5p“ ers. my New" ii ' if i 1" 5 if N" 5 of her Prairie childhood from hi h \l \l)\l l l l l attract more creative indivtdugih favourite was Michel (Ihikwaninet l ‘ ktwksrgfâ€"s‘ui‘rtzï¬wggfn h l _ , f _ Ii Id t hg _ i \ _ I .m amt-t mm mm heard him speak at We Dav .as. me of ~‘ ‘ â€â€˜f‘ for Zidé’i’bï¬l‘z‘isslmiiin “a in? ï¬' w t s (itirreitt planning literature dit W1" and I did“! think “ was Posq' w 5. t - ‘ ‘ r“ 13" tence for ï¬rst»d tie murdgr 50 l tales the retention and attraction oi hle for him to improve his speech. a - > A .. 981 A ~ ' I _ l l _ ., , h , ‘h . k _ , h“ Wm ' “f My parents read it about Six weeks , ire.itt\‘e itidiyidiials through ctiltutâ€" "I! l K Nd) l t 081 I0 up 18 “' ~ g - . , A , _ . . . t ~ . . . .t “if“ t t ‘ ago. and nobody hired a lawyer, so I t .il master plans positiveli ton spttth tIhSOlllll I_\ silt tit had tun d ~ t v M . ’_ - , . . t ' . f. ~ , > 0.6! orbyund! ‘0 , t guess lm (lit. Arden told me when I ‘ _g : tributes to the Iotal et oiiotm more 0 an llllpdl l- mm“ by y, , 1 . asked how family responded to her i, I , 77 , , , ~ A, W WW WWWWW WWWWWW WWWWWMWWW' memoir. "I think they both ot treated t â€"l , , , . _ - i Q I fairly and there really isnt anything I n e roa a aln I sensational in it. It certainly wasn't a ‘ I tell-all" - I ‘ i ' _ . g 7 I I asked Arden how the hook sign- I B \ the “NH“ you read llll\ l “Ill hem the middle (ll I believe we were riding in il (hen Bel J\ll’ station ings are going. I MARSHALL ‘ an eptt toad tiip “tigon ll was handy since we could take turns iii the "pg kind 0; a M“, meeting mm, I WARD \1\ â€Hum.“ â€mum†and | m. d. mug at n,“ back seat or just lie behind it This was hack in the tll’t‘tl\ of people in a very short period t,,, â€AAAA, â€A" \l|llll \Illt'll( at lit-.itlttig Illllllltllt'l\ to day before people got till upset about of Illllt‘. but it's really htimhling having lll'tt‘llllt‘lt‘ In “heri- she is goittgt-i midi 1<A_,,,_ I Vt'hil‘ll‘vlll‘ly. people wait for hours to tome out and say hi." she Silltlr “I t†â€I“ l'~““â€â€˜â€â€œ-* “I “I'm†L I)! I( I (H I ll" WNW WW I fought “ll“ â€â€œ "h I‘t'llIt‘lllllt‘r muting for hours to meet (theryl ladd when I was i “W “in â€WV <1 N“ W4“ 44“ lot ti t til f ‘ ‘ ‘ ‘ I “Ill-h Jlml" W’m'mlnlltflld I ll“ “(Tm I“ I? I stood With on friend and mutt-d till day long outside the I My llllt‘lltslllIl and lll\t' w Illtlll‘s low-I the t‘ B()l]RKl~ t H‘lllt‘lllllt‘l my lathe! threatening to I â€mp0â€; ll.“ ‘ tin 0 ml llll'l\ltllltl Ilttt llll\ ‘llltt‘ \lll' , I leave its at llll‘ side of the Hltltl Hm I â€Nod | .Hm.,n|,l-, “(i In,“ lots 1†“in hum}: up and meeting I I I mum Int mm x ill illlll mints it .tttttmil It , . I â€It“ “ll“ In“!!! INT“ lllll‘dlt'ltfll “ï¬ll ‘ I‘\l'l\l)()tl\r llt'ttlllxt' tyt- .tII lt.ltl.\ttlllt'lll|llgIII common I I mm \ ~i‘li\l out w xllt'\ IMUHi! Int II I t that“ I “I think lls .t gri'ttt t'\]\t'llt'll( e its eyerylmdy gets to get tip I Mr ‘n HL‘, tht timid lltlll that I tilll l l t I \ll(l ll .ilso ltllkt‘\ me lltlt L to “he“ ‘ lltl\l‘ to uni tittil trike .i good look .it \tttir noggin, loget in good ‘ opt-ml m at ‘t'tll'll I“ t \H( Ill.†It Tin it A lot I ,,r, C this \.llllt' dutiglttt't .ititl I Il\l'(l to Illl‘fl' I tlthl' proximity .is strange its that sttlllltls It‘s yen tint-testing ‘ rim unit to: WIN! Il.v “In! «it not Emit†». a, t . lit-iii limit lt>ltt\\‘ll \\llt‘ll 41" I‘l-W'†rep to people It'll Illt‘ their stories. iii \\h\ .i ll'fltllll song is their I ~, â€mm; In; |,.; ‘, t LUIIL|H “1pm “Witt-It “1 , ‘ , l.l\llltlll \\i' spent it lot Ill llllll’ talking ‘ ld\(,|||â€Q-I l “ t 3 our I , ‘ l I "Willi" "' “I†91†â€Willi" “ll" 4 “WI I ‘ A t “I" “|“*‘\‘ â€Md" 0 “WP "†â€W “-'\ t llolil \lllt'|l l “AN .l\fl|llll(lt'tl to lt'.ttit sht- \\‘.istthlt'to\\rilt- .i ‘ t Mk I ‘i‘t.l\l‘tl Hm litl llt‘lllllil l|Ill sit-tit J “Q I home In! hot thin Illillt‘ -Illtl it tlotittt t t sting.“ tituyittgns Univ/H [indium Ilitytit stitlt it \‘1lllll}1dg(‘ i ll ll minim 1â€! _ I â€IN “we \l)lllt'tll out lll‘\l times ‘I think you It‘ Illllt h more open to Ill\plftl|ltlll when you I he It In .ul out thin-tum the I) \ Il'tl , AA ‘ \"\\ Ill-ll 411“ f" Iâ€! “l" “It†â€In: ‘ ilfl' iotiiigf she Illll\t‘tl ‘I lllllll\ \ttll aren't ("\Il|t.ll .tnd jaded. I â€uh ltl‘l .mw El t~ shottrt lint .ilwi lit 1 .tttst‘ lll l \ to ti't ll‘.llt‘ llllth'llltllllt'llh \tiil | Ill not .llltl \titt (loot li.i\t' .tttyottt' telling you “It that “I“ llt'\(‘r i ll Mill‘yt‘t‘kt'l nftz‘wii chi \4tllll ll.“ tu {\ , ill-Hillltltlfllt lill'â€klllttlyllllllllltilnl‘ “titk‘ llllliltltl It.“ tout. it!“ “rm-m ll \ to“ tit“ \ B()URKI l‘\'~‘ l“Ml"h'l‘l â€I“ l I!†l’l'llVU‘ “If \ “more not tyiittyitiguhotil ll Intuitgtottittit'tt Lil \I.ll)llll\ or 'II WWW†“ti out _.t.t tut Illt Quit W tint [Hitlml'h Ilu‘ â€HIE “Hi â€I Ill!†"it†“MI“! ‘ grttttigtiti lllt‘ldtlltl \ott'it‘|tist writing tit Him: tlt'li,’.’tll"ll he. “at ll rm tot long “will!“ I“ â€H “I!“ | "in“ ll“ â€I“ “Iv I 1 â€Mid then, as time llleN tt\\.t\ tit you. \\‘llt'll)t‘l \oti think Int!†‘i‘ll ill tlita tumour with I it‘ tlttllt' the Hip “llll my '\\Ilt' .llltl that Int-l I i not are oi not, yttti'tr making (ItlIl|\lIlN‘lll\ Tott‘ti' making lliim'u‘i “low .itt il\\llll lot ml tour lfltll’lllt‘l â€In!" ill-lH I“ \ll-Ill‘ “I llllllt “ll â€ll-INN!“ ‘ I lung-x \itti'it' prott-t ting \tI|II\t‘llt .Illtl \oit‘re tiltt'ritig “hot I \,i.t it “5.x |||(' it.†to â€wily than lllyi‘.1|\,|y:ti‘i\lll H llll\ p.iilti iiI.ti daughter ’.\itllltl not he Illl\l‘l In .tll ‘ ‘ In“ I|,H.\“.,ml|||\ to MTV lllt‘ hounds.“ h.“ lll‘. hourly tit ltll thy mutt wt" H it†III the itl'l‘t’tll" â€â€œl‘“'â€'l‘l†“ll" â€â€˜l’ I" W“ â€I" l“â€\ "WV†"HI†‘l-l’ ‘ lli.tt\ ho“ lll'l'l .tliotit ll .tti\\\ti\t hm .I\I\t‘ “llt'lllt‘l it s tltlt'tllllll â€V1““llN'ld'lll\|"â€â€œ'\“'~' ‘ tittenliotitilotnot ttli.tppt-it~ lll'lllt‘lllllt‘t slitItIllllIi in - wri. iii-tutti t tl Imitlti “it the i-llu't h-iml l \\Ulllll Mil ll1'~lllpllst'll ilutn~ ‘ “llttt I'tiigl.td toti like \flllt‘i’lf hitstntmlltn so Illlltllt \l.tr .tlltl lll‘t it“! â€Mitt-t: to pimp hum “M WWW" I“ "l “WW“ll“"â€l""|“'l~'â€' â€if WWI lllhw'll‘lti†I shall I think its .t grunt llfl\llllil\ song and it's solo†timing I the new i\llllt‘ lll‘ Illllll‘tl out his lltoixiin t.l‘llt‘|.l In ttttt~it~slttig t I the ‘ltiig ti ling .i long. lhtigtlottg " ‘ It'lllllll‘ the lllttllli‘ltl ’°’ t 3 lliiigdangdoiig Yeah tt's ltiti for me too I \ll(l .tt lily my llll‘l t Itll‘yl\l4‘tl ol llsll .tlltl t loin foul “will! Ill/lulu rt â€it""l’t" 0] â€Jr to» NJ Nll I V t I I who .ll t'\4‘t\ \lii|l Along the in.“ 1 “Hit†in thunk “I it triovtittigi noun: he mu flt'tl Iti‘t'imulul i \ftll\fltl†â€an! I\ ll t~ntmlurttstmul â€Text/trig reporter I "till,“ I I tli.tt sounds ptt-tty good tot lllh trip hh'll'lt'V‘llW/l'†â€I"! I I tn'li Illlll'llf "Muslin†N'tIHII/lllllllllllll(UNI 1 | I I I , , , , I : t t l AAAA, AM I