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Wâ€" , , murmur) CHRONICLE - Wednesday, May 2a 2mm 9 .-s,4_J._’__-__~__â€"_<â€"â€"â€"â€"â€"â€"â€"â€"â€"‘â€"â€"â€"â€"â€"â€"â€"- 1.1.1 it iiiiowii ‘ 1 fl . l ET'l‘FRS TO THE CHRONICI E 1 ~ MW;â€"â€"â€"-â€"~ Drawn i ‘ l . poaches deserved posed imprmmem Nothing wrong 1 bigger consequences Many of the pn'mary suggestions but the pliniShment b l. f 1 1 from a few of the coaches involved 1 e i 1 just wanted to comment on the for field improvements were ltidi~ Why should two enthusiastic, ; 1 Iarticle Held of Steam. 1 think crous and had nothing to do with caring volunteersbe punished these coaches were lucky to the soâ€"called safety issues. for perfonninga good deed? tell the participants to have their come sticks and paper 1 only get a one game suspension. 1 think that it is great that some ls it to cling blindly to arbitrary I , . , , r - . . 1 _ . .‘ _ . ready as I put on a CD of works by Handel, \‘Ivaldl, or After going behind the assot id- of the issues have been brought out rules and regulations, ones that pm» Tchaikovsky - 1 ' ns "ka 'eo ' di/‘n the . ' , ‘ ' ' i ' ~' . . Liltlimmizacmhnldwl. “para” [Liam I3:?(tl’[1)lllt:)lltmfla12l'tztlls‘l';ersi2nfzf 2215.1 heifJSeabr/llyaznl‘; b1§22g(;?rryifivi}ajterloo The model approaches the modelling stand, shrugs off the mom] these coaches should have wrong W’n’ to go about it didn't askfor nor require the sus- robe. and IS suddenly stark naked. A hush falls over everyone 1 y . 1 1 . ‘ . , . 1. f ~ . , ' . , . 1 in the room. Moments later, the pamCipants are Vigorouslv reteiied a heftier penalty and l sincerely think that the finger penSionJ‘heWaterloo Minor Base- . , i ' should be thankful the association should be pointed in the appropriâ€" ball Association did attempting to capture the essence of the model 5 pose. Thus . . . f . . . L . . . ‘. ' . begins the weekly life dramng sesSion I teach at the Waterloo showed such restraint and lenient y. ate direction Since the Waterloo The suspension of two coaches . Diamond use is prohibited prior Minor Baseball Association is an for fixing upa baseball field because Community Arts Centre. . 1 to the scheduled date and coinmuâ€" organization dedicated to the kids ofsafety concerns is not an example We are drawn together. $0.10 speak. by respect for the timeâ€" ' nicated at length to the coaches. of the area so they can have fun and of wrongdoing. It's an example of honoured disapline of draining the nude, known as life draw- 1 Not to mention making unap- develop their skills in a safe enviâ€" leadership and initiative. mg. It 15 an exerCise m capturing not only anatomy. bl" the i proved alterations to the city field moment and learn‘valuable life les~ This is another example of the energy and movement Of the human body _ and u ls arguably on their own. ‘ sons k value of “zero tolerance" policies. the most d‘mcu“ subyect an am?“ can undertake. 1 There are other facilities that l f find the conduct of this small They are a mistake and have been l often hear the words Of my first drawmg instructor, the i could use improvements but vou group of coaches disgusting and not since they became populara few late Michal Manson. who awakened my MW and enthusmsm 1 don‘t see those coaches regardless at all in line with the values that years ago for life drawmg, resonate through my‘own classroom, There 5 ’ . . . . . ‘ - , ' . , a difference between looking and seeing," she would say, and l of the sport. out there taking things should be instilled Within our youth hero tolerance allows no ludge- ft n I ..(. at f m whe u _________ 1 \ into their own hands. teamwork. ment for circumstances outside the f) e repea ' .re e To . re yo ‘ These select few coaches ohvi~ ori 'nal intention for the creation of are. not from where you think you \l \l’\ l . . 8‘ shouldbe. . i. 1 “1 push hadn t contat ted the asstitia- the rule, i tell the participants that life draw- \l‘ l \ ion to consult with them prior to DeborahElll t , . l h , fl . » i doing this or to ask if anything was Bruce Maler ot mg 5 a anguage [ at‘requtres a pas dichssed in the past regarding pro Waterloo Waterloo 510" to leaf,“ along mm a "O’Slfn'en' ‘ ‘ der commitment to persevere in the â€"â€"â€"â€"â€"~ face of near-constant frustration. A 1 r That's why l'm thrilled to be gear- ‘ ‘ . ing up for a solo exhibition featuring ' w 1 1 OHS tants In a SC 00 aze my own life drawings at the Waterloo ~ Community Arts Centre, Titled "Life: 1 1 You know. back in my day. we had to get up a half l can see that happen from my own office at King An [Exhibition of New Works on 1 1 1 hour below we went to bed. and walk three and University, in the heart of what is now largely a Paper." the exhibition takes place next “ 1 miles to school in the pouring rain ~ if we were student housing area lmuch to the chagrin, l know, ‘ month with an opening reception on 1 1 lucky of some people in the areal. 1 Friday, lune it from 5 pm. to 7 pm. . MARSHALL 1 \ l‘m reminded of that kind of talk as 1 look over a lhe blocks around our building have been trans Everyone is welcome. WARD t()ll\lllldlll\ report to the Waterloo District School formed over the last 15 years. from a collection of 1 Reflecting on the past two years mâ€"A‘r rm'fiâ€"r’ '~“ 1 1 ltoiird about lust who should go to . . rather ordinary, Hons-style hungar 1 teaching life drawing at the centre (commonly known as the st him] where and hon shuttld they get , _ ‘ lows, into a rather large group of giant Button Factoryl, l am thankful for the many people who have i 1 there Pl l( l ( )l student homes. ls that for the better? 1 modeled for our sessions. They come from all walks of life. and 1 It seems we were always a few years ‘ B()URK[.‘ 1 Hard to say. but with both universities . in all shapes and sizesflhe best models can remain motionless ‘ 1 too early when it tame to moving lnlt) ‘ nearby I[ was inevitable And of course, for a long time. and are imaginative in their poses. They're 1 y 1 neighlmurhoods in Waterloo. 1 it has talised other changes. Some 1 friendly and personable. and. above all else, reliable. ' When our kids began going to sthool. ' ‘ businesses have closed . . . no longer . ‘ Hardworking and generous life models. like the ones 1 1 while we were in \‘\‘V(‘\l\‘iilt'. there were no . y . getting the same kind of client, while 1 1 depicted in the drawings of my exhibition. are instrumental in st lltltlls [ti attend ‘so off they were . new ones. more attractive l suppose to helping art educators teach the human art form. Discretion 1 1 hussi-tl to lli/ahetli /iegli-r school in . ' 7 the student demographic. have 1 1 prevents me from naming them, but they know who they are. uptown Waterloo Rut as more facilities ' ‘ g 1 ripened up. and they have my utmost respect and gratitude. opened on the west side. kids were sent , - ‘ And of course. there are fewer I'm also grateful for the prinlege of having a venue where 1 1 there although l/. .is it was affection 1. . J . young children in the area. They are 1 local artists can draw the nude figure in a space as wonderful 1 ately ialled. tonimued to haw: kids 1 a 1 quite an uncommon sight for the most as the Button Factory. By providing an ideal environment for 1 hiissed in from All over town . part. 1 us to learn our craft. along With the opportunity for me to 1 ' 1 Now a new ionsuliani s report is in 1 . I know there are some people who . exhibit my life drawings, the Button Factory epitomiu's artistic 1 , ominending kids ironi Wesivnle he BRlAN ‘ resist these changes. maybe even want nurturancv and freedom ofexpression. 1 hiissed to kt l. lll\lt'iil| of going to hit 1 BOURKE . them to stop I'm yiist not sure that‘s 1 lt's also a hub for information sharing, where painters, perâ€" 1 lohn A. Mat llllllillll ‘st lion! 1 possible Neighbourhoods change, and i formers. dancers. artisans. writers. musicians. and playwrights 1 According to Mapoiiest, kt l is actual ' A? “A " " H“ they have for years Sometimes it‘s tiat 1 all come together under one roof to express their creativity 1 ll" closer to some sllt‘t'l" in Westmle titan MAM, so l iirtil. With young families growtrig up, and moving 1 through the arts. 1 1 guppmu on tliai level. my it)“, makes some sense on. while their parents stay put Other times it's 1 As our spring life drawing sessions wrapped up this past 1 1 the underlying reason for the Min is to continue forced, With the development of such outside forces ‘ week. l reminded the participants that I continue to learn l to support k't‘l's enrollment. which has struggled for its the universities. or perhaps a shopping center or 1 about drawing every time I put pencil to paper For grateful to i 1 wars as the area surrounding ll iontinues to recreational futility be surrounded by such a great group of individuals, in such a 1 ( liiinge l)t‘(‘l\llill.\ on st hool boundaries and school It seems to me though, that will demographics. ' nurturing venue. to continue honing my craft. i 1 tlosiiig are always very emotional debates l under iiiid the has" desire many of us have to maintain a stand llllll (iiir children were always very attached single family detached home Willi ii [llt‘t’t' ofgrass â€" lime in to PM 98.5 tfk’W'H ”in Monday, May}! at 7.301) nifor 1 1 to their st linols. and through them. we felt the sanit' it‘s going to take a long titne to make that change Monday Night with the/fins at host Mary-Ion St'hugena will he 1 WHY speaking ll’llh Marshall Wand about his upcoming art exhibi' 1 llut from years of watt hing, ll appears neigh °~ timi,11feu4n Exhibition ofNi-iirlt’orhi on Paper. You can uLso ~ hourhoods have an almost natural way of changing [train Bourke. a merit}?! ofth 10551 KOO/$14 listen nnlinc at wwutckwrmm. Email Lt welcome at 1 .is a city groWs morning (mu i, can he reached by email at marshal}, unndfihotmailcom. 1 l ,. fl. , . s a ,___.A_ w.) M , . , 7 . _ __â€"_â€"â€"â€"â€"_â€"â€"“