Waterloo Public Library Digital Collections

Waterloo Chronicle (Waterloo, On1868), 20 Jan 2010, p. 18

The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

W7 \. . l8 . WAl‘ltkLUtl CHRONICU - Wednesday. human :0. 20m «â€"â€"~ ~k-â€"â€"â€"--~-m-w~â€"M MM” . Say fromage. . t O : Photographer turns the school picture from stale to state of the art 1 Birmiwium Whether she's photographing . .. Special 10 the Chronicle women during pregnancy. or chil- â€" W N . dren for a school portrait. Pelchat l Like many parents ofschool-age . . " is dedicated to capturing the l children. Waterloo artist Marie- 7“ ‘ 9' essence of her subjects. and is will- , Claude Pelchat has seen her share * ~ 1! ing to go the extra mile to get it of had school photOs with boring \. . i right. “When taking school photos. l backgrounds and forced smiles. -. . ., ' ‘ i take anywhere from five to 40 pic- ' That's why, as an established 1‘ ' p 1 . \‘ tures per child,” she explained. l photographer, she reinvented the (I g. 4 “- v “mm the little ones, i talk to them l school portrait. “Simply telling ’ ...«‘ Q ‘3 '1 .‘ ‘ about ice cream or anything that : them to 'say cheese is not going to _ . , . ’ y ,. helps them forget that they are capture the soul and spirit of the a! a P ,' posing. Around the age of seven or child." said Pelchat. who moved A a, eight. some kids become self-con- her family to Waterloo from Sher» 3‘1"" scious about the fact that they are hrooke. Que. three years ago. "i did ‘ posing, so it‘s up to me to work supply teaching. and it was harder to help them feel better through that work that l discov~ / ‘ or . h about themselves: ered my strengths lie in connecting . ' Pelc‘hat also takes the time to with kids.” i_ ’ . ‘ ' help parents make good clothing I’elchat recognizes that, much 7 - choices for their kids being pho- . like teaching, taking high-quality '1 i ‘ ‘ tographed by sending out a note school portraits demands a mix of ‘ ..‘ ‘i‘ beforehand. enthusiasm. dedication, knowl- \ .. What many parents may not edge. authority and a destre to .. ‘ i ., J realize is that Pelchat sometimes make a difference in children's W ‘l‘ . i ' spends a great deal of time touch- lives. "A school portrait is some- ‘ ' < ing up the photos. "i will repair thing to treasure." said Pelchat. a“ " things like slightly whitening the whose style of taking school pho- ‘ I! ,, eyes. or fixing a stain on a shirt," tos is relaxed, using both natural ,, " I she explained. light and a large floodlight. "When ‘ ‘ But more than anything. ‘- I was young, l was really shy, so i Pelchat says the art of photograph» can understand a child can be that ing children is capturing those way too when having their picture ‘ ‘ moments that reflect their unique taken. So i work to bring those ‘ ‘ .‘J personalities. unique expressions and energy out ‘ “Our bodies say so much, so of them by making it fun. and 1 tell . .. " that is why the positions of the them that if we work together we ' _ children in the photos are all dif- can make something that is cool." \ ~ 6 a: fi ferent I want to really show some Clearly. Pelchat approaches , ‘ ' thing about their personality in school photography from an artis ‘ a . c . ‘.‘_ z 1‘ ‘ ._ each and every one. (Zhildren are tic perspective as her innovative ' ’ O. ‘ this big ball of expression and raw idea to Include a few of the child's , emotion. and as a photographer. classmates. slightly blurred ill the ,. r ' r 3 yoti just have to go and get it." background of the portrait, is a ' ff’ / creative one "its kind of t‘otiteniâ€" 'q\ i. m '3 ' sx“ my .. a - porary," she said. “My idea of ptilr . ' w 3...", Er ::§s«~‘1:}a‘?§;,;_rh: ting kids in the background was to Marieâ€"Claude Pelchat thinks about more than Just the smile when photographing Waterloo students 3‘? . "'5 1 'n.’ avoid the lake background you W“ “MN “WWW” £5?“ " " ‘11:; usually see in school pictures. like in Waterloo that first provided herself as an artist in Waterloo. woman who has had children here 333:3 I fake library books as a backdrop Pelchat with the opportunity to leavtng 800 clients behind in her sell. 1 could relate and understand ' *“"‘“ " “Parents (”9 EN?" 'd (him? “I hone her craft in school photogra- native Quebec. "In Quebec. 70 pet that in pregnant i you can some :"f" ’ ‘_ - ’ 0|th lith‘ the” Child phi» pm “ lhe principal. Mic hel Poinot. cent of my clientele were pregnant times feel like an elephant But all :_ "" :1 tographed wtth classmates in the took a chance on me and trying worm-n. bet arise i also do materni pregnant women are llt‘iillllflll 7 31"“ i 1 background. or not." sonic-thing clitTcrcnt.” said Pc’lchat, tv photos. And like ( hildren. the they are 'habltéc‘. whit it means :';h, V I‘ WM ”‘9 KW Bilingual 3t hool who had to carve out .i new life for connection there is Important its a someone lives inside of them " 1111 1- ' _ 1' ,' J. L . ‘2 l i . Canadian Mtide' ' . ’ H ' " ' a: -' 1' ‘ Berber _ ,.,. : ~ . 5}”°!’e“"_ 93mm“? Ceramic ... Travertine . . I . 3/4 Hardwood A: fip / .. ‘(W' , i - «‘ -. . . l c t! I .w“. . ‘ a f {a}, '9 v?” M". iT'I I"..‘ T'Ie arpe . .» a W re . ' I” “‘- .u 3. , Lift}??? ‘;‘j" " N t; It m . "' hurt /.'\ . ‘ ""1" - v if .. . J\ ,2 , 1‘. n ,L F 04 i-Uv'til ‘LSK ‘ 78 r; (I: Grimm .t. I m ¢ .' SKK i4 1‘ i . .r I ‘ y ’ / a (V J l / a viiit'mw |’ J ‘r__,_ ' a r... 1.. go 0F; 1/ ‘ ‘ t .“j ‘ .. ., .. w «or. " we: tr . .. J I (an. , $9.; IN knit h (I .J'. ~â€"-â€"â€"-â€"â€"â€"â€"»--â€"â€"- ‘ v .. SIMPSONS FL‘OORING 1‘“ “out 5!. M m m Mon-Wed 9W - 61W», ‘ ‘ j ,2 I _» i i ‘.‘ H " ”F5704,“ Thun-Fn9riwom-830pm ‘it‘rtllrtfi‘... ‘lyii. ‘ .."' ‘I’... mututmmmrdunoozhg MW 50' lO:OOotfl-5:OOpmSunll:000m-4.00pm Littlli t‘;‘ ‘\l:‘:lli‘

Powered by / Alimenté par VITA Toolkit
Privacy Policy