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V] r an e l on divenmaubrmhandudwommbmemt on “5193426288 mmmm % “ï¬r 5; , H v» H d d I h g] d ., , _ l VMVV _ i, ; omer 'atson ouse an gree . sot . uttony. envy. pri e, He'bdmï¬ggflgngï¬sym â€"â€" he.“ Gallery proudly presents three and lust. mmironstone: yararhaddrmmalvvni m5 ms ms ' 3:53;}; W artists ina vibrant fall exhibition. The series is intended to be limited timeoffer Home; for Sale Home; for Sale mm ‘3 ’ ‘7‘“? ~ ‘ " 52 Alfred Villeneuve has created visually approachable but candid- SIWSZ Wham " ’19:: his own artistic language, called ly reveal a nonvliteral interpreta< dimmredequimmsea â€"â€" â€" â€"â€"â€"-â€"- E3523. and" .; Algonkin Mosaic. to reflect the tion ofeach classical sin. â€STRESS SALES W †perpetual motion and fluidity of Fatima Garzan's work is about mf’mmwmc": 3 '. ~"’ ' art. He is separating the pieces of the joy of being in a continual â€"- _â€" Free liSthth lCS my} mgzngaggs‘ 12%“; m his subject, colour. smell. sound present and is a tribute to the con- test! run o_â€"â€"Lf bank foreclosures from 0, leasing; and texture and he is putting them cept of “living in the moment." Miscellaneous Miscellaneous 5250 000 to 51.000 000 u“ back together in a new conï¬gurao Garzan's art is generated by the WWW lion. application of circular. abstract â€"_ â€"â€" “.0 This is also an expression that geometry. This process is a medi- ABC Metal "WWW Cottages/ mu we on Earth are all constructs of tation that serves an intangible _ I'WM7‘OD‘2042 VWMRM the same pieces rearranged time space and therefore does not ReCYChng 22‘†“1- "- 5299.9!†m â€Is and again. belong to any specific time or 454 Dot) D ReMax Tmerthealtylnc. am. sleeps T 5 The Cayley Room hosts Sean place. the work becomes univer» be '- 03’“me Brokerage ML 0831539 away 5 4. . M. Puckett‘s exhibition named Sal. Top Dollar Paid for $3075in .3 mar ' Seven ~ a non-narrative allegori- The gallery, at 1754 Old Mill Mtypes/quantiï¬csotrtml. Fnd “a IY t cal series illustrating the seven Rd.. in Kitchener. is open Tuesdays MismalContamer SennceAlsoAvalahle I 001 our /\ , deadly sins. Ira. Avaritia, Acadia. to Sundays from noon until 4:30 Mon. to F" 7 am. [05 ‘M ll â€"â€" ’ (iula. Invidia. Superbia and Luxuâ€" p.m. Admission is a suggested Saturday/58am. to 12 noon "cute '5 mm \\\\ A ria depict. respectively. wrath, donation of$3, 6351952391“ - __ ; * K-W Sym hon will launch 01111119 rs not coo-2" b I p y my a re 0 â€"---..m â€"â€"...., "WA-“Wave -°°m Mam ltS exciting new season Pam a. Painting a WSfl‘mW: . _ Doc . Doc . ‘ 519653.204 The Kitchener-Waterloo Sym- orchestra enter the stage while â€"___¢ â€"â€" Muywmmy manymgmhm “WWW“ m phony. led by mustc director playing. PREMIUM "w Edwtn Outwater. opens the 2008- Bohemia born composer Dvo- . . fl. â€I 2009 season with the ï¬rst concert rak “839â€" 188†wrote his ï¬nal solo ICUHST7(()MXPA_INTEBS ï¬rst Tune Buyers can an mm M of the Signature Series â€" Pictures concerto. Cello Concerto in B . ' .- 3 . Why RentWhenYouCunOVn? “:13; mmf‘ï¬â€œ : . atanlbthibition. minor, Op. 104, in 1895 and it has RESIDEIHIAL xxx 4&2st ti m The KWS performs (brigliano's become more widely performed COMMERCIAL ‘ ‘ WW seem to go mam : 1w a“; , . Promenade Overture. Dvorak's and recorded than any other cello NEW HOMES ' ,_ L 1)me avmlablevnth no 23:“ "$35353 ' egg, , Cello Concerto. featuring world concerto. (“any or Interior . . » ~ , "m“EFdW“ ““de'slmm‘h mmmcm (a w. s‘ M“ class cellist Alban Gerhardt and Russian composer Modest my“ 1 ~ .9 . wwwKWl-‘ixflomeatm 0‘ Mussorgsky's Pictures at an Fxhibi- Mussorgsky (18394881) wrote Pic » ’ I“ ~‘;‘ .. , . ' tion. tures at an Exhibition. the most ““35"" W“"“‘°‘“ . L I 13003.34?†I: ms f i The performance takes place at popular of his piano compositions. .,. . . ' 12.4.1, Jung‘s†mm“ Pluto ' the Centre in the Square this Fri~ in memory of a dear friend and “ 5 'I 9 404-8 89 5 wwnmywqiusm Wont day at 8 p.m. and Saturda at 8 artist/architect (Victorllartmanl. I Y T , p.m. Upon viewing Hartman's work ‘ â€" _â€" Trâ€" T7;â€" m M The symphony proudly wclâ€" in a memorial exhibit, Mussorgsky 1 "a I“) . a“. Em a“ EM 1500451 2.32: comes Gerhardt, a worldâ€" becomes inspired to create a musi- ‘ RW/ RW/ “WM“ “WM†3‘99â€" '8‘ renowned cellist, famous for cal reaction tomofhis paintings. l M M .â€"â€" _..'__â€" .,‘ bringing new life to unknown The 'promenade" theme ‘ ‘ works and adding an innovative returns as the audience is taken on ‘ pLUMBING Thlnking of selling your home? [in i ' twist to well-known pieces a musical "stroll†through an art ‘ 1 k' ‘ bu w Wei-9W _ American composer Corigliano museum. and GAS MG â€0 mg n y ‘ meg‘g’ wrote Promenade Overture after After a very successful ï¬rst seaM ‘ Residential and Commercial Call me. 1 would like to work with you! being inspired by Haydn's delight- son. Outwater says he looks for~ V “i ' I I I and †._â€"â€"_~ in! Farewell Symphony. ward to. ‘a dynamic new seastm of "OF"! M ROYAL “PAGE During the last movement of Signature concerts featuring grand 380; was. â€cm; 9001 * ENE! mm .‘ this Haydn work the players gradu- works. remarkable talent and the heaters. water meters, Wes M342 _ my . ‘ any exit the stage, leaving two vio- spectacular Kitchener~Waterloo â€an" A M n e lins to ï¬nishthesymphony alone. Symphony, This music is power- “1101;: |NEV‘.V.2I:.3QZ§:§J!,JQ, sag; " . 1‘ ‘ géngï¬suo ‘ ' It became a compositional fuL†‘13“. :I::l“h_‘d'“9_";â€"“a: m â€gm ‘ 1 [Mia challenge for Corigiiano to reverse For more information visit " . up. ‘5 - “T. ' . W