Waterloo Public Library Digital Collections

Waterloo Chronicle (Waterloo, On1868), 14 Nov 2001, p. 22

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i 4 } «a"s * 4. Bs ; The vitimate Moliday Shopping Consultant arrives Saturday @ 2:00pm! P idsA 4n , ~% F t iz 4 Â¥ _ FAIRVIEW&PARK â€" The big guy in the red suit will be accepting Christmas WishiLists right away. 50 feel‘free to check out oyr 150+ shops & services â€" they‘re just packed full of ideas for the season! 6e the a “." j ".-‘f ki Li‘3 4 h 6c » ‘1W:\~54 on ie 2A i Pfi iztliai s ap . DaCapo singers capture the spirit of Remembrance Day Continued from page 20 1984 song cycle, The Sunne of Grace, a series of six anonymous early English religious lyrics. Kâ€"W Symphony â€" harpist Lori Gemmel provided exquisite accompanying and conâ€" necting motifs that enâ€" hanced the picturesque vocal accents and syntax in these appealing vignettes that speak of Christ‘s incarâ€" nation and redemptive powâ€" Tie Just as effective coming ie K applies to all non custom purchases. This evening only. Thursday, November 15th 6 â€" 10 pm 15% discount geag()n f0 Holiday Preview Please join us for a DECK from the realm of daily expeâ€" rience and feelings, was a contrasting set of Four Eulogies, atmospheric songs composed _ by _ Estacio around words by presentâ€" day Mennonite poet, Val Brandt. Each evokes the emotions and memories left behind when a special human being leaves our company. Among them, the delicate Ella Sunlight (with soloists Sara Martin and Shannon Beynon) created a poignant impression of how a child‘s death can be so WALLS THE devastating as to rob the surâ€" viving mother of identity. A major accomplishment of the DaCapo choir is its pure and consistently tuneâ€" ful a capella (unaccompaâ€" nied) performances that filled the resonant St. John‘s space with little apparent effort. It was also an ideal space for Gemmel‘s fluid harp, featured alone in Alexina Louie‘s shimmering tone poem, From the Eastern Gate, and in Marjan Mozetich‘s exquisite excerpts from his classically nostalgic Songs of Nymphs. DaCapo‘s music and words may not have reflectâ€" ed usual Remembrance Day fare, but they didn‘t miss a single window of expression either. As artistic evangelists for the spirit of today‘s best young composers, this outâ€" standing young ensemble seems to have connected one generation to the appreâ€" ciative ears of another. What better homage to those who‘ve gone before? (Pauline Finch is an amateur musician and stuâ€" dent at Waterloo Lutheran Seminary.) *

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