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:~§ E«.cs g'« %. Y T. F L 4 f#r = § i9 i9 $‘ o, clk, 2 2 a & 2‘ _ o gm g"a K _ + Featuring Revion, Aimay and ? much more * * LIPSTICKS $2.99 (compare at $9.99) a * We specialize in hard to find : colours/products s St. Jacob‘s Factory Outiet Mail 519â€"747â€"4600 Monâ€"Fri 9:30â€"9; Sat 8:30â€"6; Sun 19â€"5 glmthworks Factory Outlet Cambridg VaC vaa ram a+z®® J _ CHRISTMAS i PREVIEW SALE St. Jacob‘s Factory Outiet Mail 519â€"747â€"4600 Monâ€"Fri 9:30â€"9; Sat 8:30â€"6; Sun 19â€"5 Southworks Factory Outlet Cambridge 519â€"620â€"2625 Monâ€"Wed 9:30â€"6; Thurs & Erl 9:30â€"8; Sat 9â€"6; Sun 11â€"5 1 888 VIAâ€"RAIL (1 888 842â€"7245) & TTY 1 800 268â€"9503 (hearing impaired) Garland | Boughs Up to 73 /o off. Everyday. Grobe Nursery Quality at supermarket prices! Good News from VIA Rail Canada Effective October 28, 2001, VIA Rail Canada is adding an additional train between Kitchener and Toronto with stops in Guelph, Georgetown and Brampton. Train 84 will depart Kitchener daily (except Sundays) at 10 a.m. with an 11:40 a.m. arrival in Toronto. Train 89 will depart Toronto daily (except Saturdays) at 9 p.m. with a 10:40 p.m. arrival in Kitchener. 15¢%¢ € Reclaiming the light: DaCapo singers capture the spirit of Remembrance Day In times of civil upheaval and uncertainty, people are drawn more than ever to familiar sources of comfort By Pavune Fincy For The Chronicle All aboard! P EO PLE M O YÂ¥ iN G P EO P LE and healing, things that seem to stay the same while so much else is changing. For many, music is near the top of their nostalgia list, especially this year. As the long twinâ€"towered shadow of September 11 casts a pall over the even longer shadow of November 11, â€" first set aside to mark a war "to end all wars" â€" we‘ve heard many an old ballad that sent the youth of three generaâ€" tions away to fight, often never to return. How to explain, then, the magnetic attraction of the DaCapo Chamber Choir whose 17 fresh and accomâ€" plished voices shed light on remembrance through music even younger than they are? At Saturday‘s memorial concert for a nearâ€"capacity audience in St. John the Evangelist Anglican Church, downtown Kitchener, superb programâ€" ming and meticulous prepaâ€" ration brought a remarkable evening â€" of â€" lessâ€"familiar music together under the °* Tradermack owemed and sined ty MA Radt Canada tnc direction of local composerâ€" teacherâ€"conductor, Leonard Aptly titled From Death to Light, this choralâ€"instruâ€" mental â€" encounter â€" with works by John Tavener, Jeff Enns ({no relation), Alexina Louie, John Estacio, Ruth Watson Henderson, Marjan Mozetich and Leonard Enns drew on the impetus of proâ€" found grief, praise, eulogy, and meditation to create some of the loveliest lateâ€" 20th century pieces ever composed around the spiriâ€" tuality of mortal existence. The lifeblood of each selection was its intricate weaving of richly textured music with utterly memoâ€" rable words, beginning with the haunting Song for Athene by Tavener (the only nonâ€"Canadian represented). Known to many as the funeral anthem for Princess Diana, this delicate gem combines â€" words _ from Shakespeare‘s Hamlet ("May flights of angels sing thee to thy rest...") with somâ€" // LÂ¥A VIA Rail Canadi www.viarail.ca bre intonations of Alleluia, an exclamation usually assoâ€" ciated with the most joyous times of Christian celebraâ€" tion. In his brief, but eloquent The Call, set to words by the early 17thâ€"century English poetâ€"priest, George Herbert, leff Enns created a gently swelling emotional current that moved from sorrow into the light of hope, or into "such a life as killeth death." The harmonic texture and beautifully phrased projecâ€" tion sounded stunningly like a lost Healey Willan motet; not imitation, but inspiraâ€" tion of the finest kind. Like any existing music that becomes inseparably attached to a particular perâ€" son‘s passing, creating an original musical eulogy can be an emotionally demandâ€" ing process. Enns described for listeners how â€" Ruth Watson Henderson appâ€" roached her In Memoriam Elmer Iseler â€" for the renowned late Canadian choral director â€" with no words at all. Beginning with a collage of gentle, searching brokenâ€"chord motifs, the work coalesced around the ancient petitions of the Christian Kyrie (Lord have mercy, Christ have mercy...), continually returning to the note "e" as a persistent reminder of the deceased‘s first name. As founding conductor of the threeâ€"yearâ€"old ensemâ€" ble, Enns has nurtured in DaCapo a versatile and technically attuned palette of responsive young voices, most of whom sang in one or more of his campusâ€" based choirs at Conrad Grebel College.