Waterloo Public Library Digital Collections

Waterloo Chronicle (Waterloo, On1868), 4 Dec 1996, p. 23

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CHAMBLEON â€" 746â€"7171 of gromng quality trees The long and winding road of excavating Fab Four treasures s apparently come to an end. For some, it has arrived none o soon. The rest of us will try to find solace in the new Celine on and Phil Collins allbums. Sure, this whole Beaties Anthology cash cow has been milked y. But at least they left something worth milking. The same on‘t be said 25 years from now when they begin unearthing Return Of The Frog Queen, as its name ests, has a fairyâ€"tale like charm and _ 4 agx to it. Enigk‘s minor apics, while at en es cryptic and a touch bombastic, have phonic splendor to them. His simple odies and pop hooks come to life in an orchestral swell of lis, strings and horns. if it all sounds just a little overly ambitious, it is. But it‘s also freshing in this era of pop underachievers to hear someone king a chance. OPEN DAILY 8 am â€" 5 pm *T NF"~> 795 Erbevilie Rd; Waterioo Across from Lutheran Church in Erbeville Return Of The Frog Queen He has a kind of strange wolce and he used to front a band _ acoustic While My Guitar Gently Weeps, sans the famous Clapâ€" ith a strange name. Come to think of it, ton guitar solo and a chunk of Helter Skelâ€" s approach to song writing is pretty ter, a song that predated grunge and range as well. hw ‘ industrial music. So it doesn‘t come as a surprise that ' Of the three anthologies, this one is remy Enigics first postâ€"Sunny Day fRea . | ns | * *# arguably the most important since it repreâ€" is artifacts. e album is somewhat strange, albeit ERBSVILLE PINES CHRISTMAS TREE FARM Fes/ t 884â€"2050 SPA LARGE SELECTION OF "NO PROBLEM" CHRISTMAS TREE STANDS «â€"â€"â€"~~â€" . SANTA MAY BE JOLLY BUT HE DOESN‘T WE‘RE GOOD AT BOTH Balsam Wreaths 15" frame "DO" HAIR. i ALL UP DO‘S 1 »Not valid with Frank 1 »Valid only with Coupon Lauderdale has written country hits for much lesser talents and the fine Persimmons is his fourth album to offer proof that he deserves to be a star in his own right. That it hasn‘t happened probably has something to do with the fact he‘s been lumped in with the Nashville crowd when really his talents transcend a mere country label. On Persimmons, he shows not only his gifts as a songwriter but also the breadth of this musical palette. Country is merely a starting point as he effortlessly weaves rock, jazz, pop and R&B into the 15 songs, a halfâ€"dozen of which are truly memorable. Lauderdale, like the unjustlyâ€"ignored Joe Ely, deserves a much bigger audience. He can‘t offer a much better reason than Perâ€" Anyway, Anthology 3, like its predecessors, otfers a grdb bag of rarities, oddities and fascinating curios, among them a skeleâ€" tal version of Lennon‘s haunting Happiness is A Warm Gun, an § & Of the three anthologies, this one is arguably the most important since it repreâ€" sents the period â€" White Album, Yoko Ono, impending breakup â€" that was probally the most volatile, both artistically and perâ€" sonally, of the band‘s career. And so Anthology 3 brings some sense of dosure to a remarkable career. Let it be. '*wfi‘* _ _ _i WAaTERLOO _*"_ OVER 200 FRIENDLY STORES 4 SERVICEL . CONVEANIENT PARIIKG The Atrium 33 Erb St. W., Waterioo 884â€"0727

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