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r‘- November 29 & 30 at 8:00p.m. ‘ The Centre In The Square | Tickets: $23 to $36, Student Rush Seats $5 | Call 578â€"1570 or 1â€"800â€"265â€"8977 | Jon Kimura Parker As good at home with the Kitchenerâ€"Waterloo Symphony Simon Streatfeild, m conductor Sympriony The Emperor Beethoven: Piano Concerto No. 5 Plus Schumann: Symphony No. 2 Seagqvanr ied WWe inanmiy=i~a im 9+ 1. 9e O R 9 pointed at, but it also makes visible the person who has taken the picture. That idea showed me a new way to look at these Country Lane Flowers photographs. it also gave Patterson the dlue to understanding &# Gifts he amolanel rendccore. . Custom Orders Linked to that idea is the suggestion that as an artist develops his skill and his techniques, extends his subject matter, he is also 15% OFF developing himself. When he becomes aware of that connecâ€" i tion, something magic happens to his setfâ€" Chns"?as 3.:( E):seryday awareness and acceptance. XPIRE e Patterson includes many photographs 75 Kmg S1. S. 886â€"2490 Warmoo Town Souset Judith Miller _ wnose symbots he says he did not under % ts stand when he took them. My favorite S w among these pictures was taken in a ghost town of Namibia. From inside, it shows an abandoned house which has been taken 4j over by the sand. The curving lines of the sand, against the straight lines of doors and / f / / walls where paint is blistering, are a study in light and shadow y A « () . which looks like a painting, and which I find compelling. There is Op / / & / 6 something very brave about the picture. Another idea I found in this book was that muted hues or Tok mm CA tones weave a pleasing "texture." o wilks: PAHKINEY im The cdassic tale of & Patterson comments that an image of snow dusted onto the broderges and a brincess # ta grasses and stones of his gravel driveway was not easy to comâ€" pyoore YOmAtKenekY a l a m pose, but many friends looking at it think it has no design whatâ€" im a M soever. Since | read that, and looked af the picture, | have been e ol looking for similar effects of texture. Patterson is right. They are s strarin not easy to find. CHENE These photographs range all over the world, but the final one, 1ME of streaming light behind a stand of birch, was taken cose to «C A#A" t & Priduy, De: the place where this "story" began, and Patterson has this to say * 730 pm $Â¥ §3 On misty mornings, for more than 20 years, | headed out CA + .\. SBORS 4 Levng k Th Shamper‘s Bluff road in search of the "best" locations for t ie making pictures. Last year | would make a cup of tea instead, é w ' sit on my deck, and simply observe. | discovered that the , 4 F2 4 wa. e C opportunities for photographing light streaming through 4 M 4 opgemes mist were as good at home as anywhere. 9 /4 wate m [ ol T +t Judith Miller is an associate professor of English at Renison # d College at University of Waterloo. p~ogprrpmemmemmunmmmmmmen.copmprause Call today for programme information or to set up an assessment! Your Educational Development Centre 421 King Street N., Waterloo, (519) 884â€"3954 / nCt Ceilt CVeepe S ww P WPPR g?j\] achieve better grades! C S see*ss**®* Your Educational Development Centre will design a programme¢ to help your child overcome their difficulties in: READING COMPREHENSION MATHEMATICS WRITING We can help your child t 17