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+35.00 per person itaxes & graity included) Buffet Dinner catered by For tickets & information call Kennedy‘s of.St. Agatha . ~» â€".. 885â€"0873â€" Music, Music, Music poommememm with the Cuse _ t . Doors open at 6:30 p.m. Dinner at 7:00 p.m. _ Showtime at 8:30 p.m. Royal Canadian Legion, 601 Wellington St. Kit. A Dinner Theatre presentation featuring a fastâ€"paced musical revue with nostaigia, 50s & 60s, country & gospel. Men in Black Family & the ,\, "I was very young at the time. You know, it was the case of kid who had no idea what she stubborn and her way was always the right way because she had no experience. As we get older, we tend to lose that naiveté â€" we start to know Mut‘sivrpom.smmmreakid,yatre just going to do it. it‘s almost like those kids who start a up rock band â€" no one knows how to play, no one knows how to sing, no one owns an instrument, but the next thing you know, M(ovri\gfrmnagaage.scrdgym; "The next thing you know, we were in Las Vegas, where we remained with Liberace for a number of years." Dupuy says. "For about 10 years of the company‘s history, we were actually employees of, and part of, Liberace‘s company. "He saw us perform in Toronto at a very speâ€" (Continued on page 13) The perplexing Lennox can be quite an enchanting live performer, as evidenced by the nineâ€"track Live in Central Park that has been added to 1995‘s Medusa. Fans will already have the latter but will no doubt want to hear just how far the chanteuse can spread her wings onstage Acoustic versions of Who‘s That Girl and Here Comes the Rain Again may even warm the hearts of her detractors. Medusa â€" Live in Central Park For someone who has never been much of a singer or guitarist, Lou Reed can lay dlaim to a remarkably long, profific and influential career. His first and greatest creation, ‘60s icons the Velvet Underground, is considered sacred by the myriad bands that have aped the understated power, simple song strucâ€" tures and simmering anarchy of VU‘s primal rock and roll. Reed of course, has never strayed far from the Velvet tradition, another case in point being Set The Twilight Reeling. Typically minâ€" imalist in nature and with few musical surâ€" prises, it finds Reed, in his own familiar talkâ€"sing style, waxing poetic about his beloved New York. He remains an eloquent, streanâ€"ofâ€"conâ€" sciousness lyricist, and his voice still has an inexplicable magnetism to it. The biggest ditâ€" ference is that we‘re apparently hearing a more content, optimistic Reed. in particular he‘s found much to like about his home town, a drastic change of heart from his antiâ€" Big Apple sentiments on his fine 1989 album, New York. Set the Twilight Reeling ing all over the st; Chinese Dance is tune cookies on a j\w:t"m;l ith a feeling of e ment but also a fe Flowers is just really nice about you‘re to s hnal ie ing is really very diffe "In many ways it to the music and "We have this new show that v forming at your pays tribute to as Tina Tumer, Star Power by lights go down were were, it owe a lot to I day, was that had to be and it was the guest of signed us on taking a big i of a 25â€"part