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v abondt .‘ reon Madoad a ns .l cunpntniatss harbd ts in dicatiisitih lt is ib dfi d vHaknioo inealtre Company‘s secâ€" ... to the festival Bible Libel, a playimnf a Medved. A psyct ;&' % humor. In his country home near Paris, ond annual Festival of Fringe Plays the way people, when mmfi‘. “m ial Study of a j as m& rels Bernard plots an evening at home with gets underwa){rodayanhe Bwpn Facâ€" : ories, use only those bits of (he Bibie; . tlonship, Spablish Fly. a play abo his beautiful mistress while his wife is tory and the Kitchenerâ€"Waterioo Little that prove them right m cont o 11 . _ two people who lock tfi\ am _ off visiting her mother. But in true Theatre. $ C 3@:,,*%( ig of the bu § farce fashion, "guess who" decides to This year‘s festival features eight _ _ to its own festival is ft‘s all the “"B:,"h« i niedtaste in in ... is . return home and an uproarious plays from theatre CO:W"‘CS across glefemla F’ante!tl. Last );VS;PH( N . _ Waterlioo‘s Feck ess. **‘, , evening unravels, much to the horror the country, making it a lw-pe:}'cent fl\e'bfienge in wc;?:!a’d\e‘géofem i pesan t s :,Qs ied on‘ | Couidfmee neconmeses Aeaiieetetene C or ooes aranet Monreal is bringing Chris Ralph‘s lat _ is Marilyn Monroe. Directed by UW * .. iyfestausgiity Sknarh t humorous . _ Don‘t Dress for Dinner plays Sst work &d&wbmm visiting artist and WTC coâ€"artistic . a g“}, (a fesling that jife is a through July 15 at Theatre on the Described as wei Fiarious,. hi this proul, ooo e ioi ichhe: =. Grand. My Darling Judith will be preâ€" ‘and “”“’d' & play’wc.is bout 3 lionswsowk"e‘sw hcer, this p 1 ~_ _ Msenes o o NtE‘ 0 sented July 19 through Aug. 5, and M’“’p m"“'u" Tor it 4 N'm“l “mw' School g“*i‘?“ Montcats rtuviaee -w‘k ; Key for Two will be presented Aug. 9 tove, but “,W! m h::ce! ider "all m »I“’"““‘ ) m '?}:3* o het m hi oneâ€" through Aug. 26. Call the theatre box mmdwm <* Vancouver Pock u‘“w or %m, i sn $ 4 (*‘ ut : ‘, office at (519)787â€"1981 for ticket cine.. "~ _ ho s Mfim Spanis ‘”* § abor id thes @)‘% information. £ MMWMW\ bymg Co4e _ t m.;«“é «2 24‘ xfl ym tan e‘ sAE f»‘zf‘f?‘:"%-;"-'v?.‘f. Pis. * Sss .....................Q...........Q............. I Beanams gauit * uieeeennomnnmmommmmmmmemmmmmmmemmmmememmmmmmemmemmmemmmmes.....______â€"â€" Don‘t Dress for Dinner plays through July 15 at Theatre on the Grand. My Darling Judith will be preâ€" sented July 19 through Aug. 5, and Key for Two will be presented Aug. 9 through Aug. 26. Call the theatre box office at (519)787â€"1981 for ticket information. This hilarious comedy leads audiâ€" ences on a merry chase through misâ€" taken identities and offâ€"theâ€"wall humor. In his country home near Paris, Bernard plots an evening at home with his beautiful mistress while his wife is off visiting her mother. But in true farce fashion, "guess who" decides to return home and an uproarious evening unravels, much to the horror of our wouldâ€"be hero and much to the delight of the audience. a 0 0 0 0 o o 0 o o o o 0 o o o 0 o 0o o o o o 0 o o o o o o 0 o o o o 0 0o 0 0 0 0 0 o o o o o ooo ooo rmmmmimmmnrn Theatre on the Grand opens its third season June 28 with a production of Don‘t Dress for Dinner. Theatre on the Grand launches third season The studio‘s anniversary show, "Join the Celebration", will be presented at Humanities Theatre june 23 and 24 at 7 p.m. Tickets are available at the Humanities Theatre box office. 4 ,0 o choreograâ€" "Ott * T e > As well as _| national competiâ€" tions, the students also perform locally at Centre in the Square with the Kâ€"W Symphony, at trade shows and modelling shows, during Oktoberfest and at PAGE 16 â€" WATERLOO CHRONICLE, WEDNESDAY, JUNE 21, 1995 Scott‘s Studio of Steps in Kitchener will celebrate its 10th anniversary this week with a performance at Humaniâ€" ties Theatre. Over the past 10 years, students at Scott Kufske‘s studio have competed at national competitions in Winni New York City, Atlantic City, Fk;’:i%h and Myrtie Beach, winning many : o°: ;;‘ E %@2 Eo NERTRMMENT Dance studio celebrates its 10th anniversary awards for overall high national and "We‘d had some personnel changes PÂ¥ @~ since the last tour," Bentall says. "Three of â€" [R * «AP d us have been together for time immemorâ€" w e ial, but the group that is together now has cA ‘ e been playing together for three years. And t & ce | remember ha\mg a meeting one day, ue . and they said they really feel that the ~ whole Legendary Hearts thing was something in the past, and that, by and large, they didn‘t feel that‘s what it was anymore. Everybody felt that it was a bit of a bulky name to begin with and people don‘t tend to refer to it anyway, so why not just drop it, I‘ve got to give them a lot of credit â€" 1 think that‘s The guys Bentall refers to are longâ€"time cohorts Colin Nairne (guitar) and Jack Guppy (drums), and newcomers to the band Dave Reimer (bass) and Mike Crozier (guitar). And it was they who sugâ€" gested the band drop the Legendary Hearts thing. "That‘s not accurate," Bentall clarifies. "The truth be told, it‘s probably f a collaborative effort than we‘ve WW:% in the past in terms of the writing, th arranging and the production. The guys were extremely helpful and deserve a lot of credit." t seems that fans and critics alike are a little confused by l the cover of Barney Bentall‘s latest recording. Gone is the Legendary Hearts moniker, leaving some calling Gin Palace the Vancouverâ€"based rocker‘s "first true solo effort." By Deborah Crandall Back after three years and stronger than ever Barney Bentall biiiine 4 "Up until now, Gary and I had this songâ€" T writing relationship â€" he didn‘t play hi music and 1 didn‘t write words. And it was a mutually dependent thing," Bentall says. "But, over the years, there was this little voice in the back of my head longing to express itself, And at a certain point | couldn‘t shut it up anymore. It‘s hard work, F in a certain way â€" it‘s harder than (writâ€" % ing) music, to be honest. But it‘s interesting to me â€" the way some of the things that | actually feel comeâ€"roaring through to the R i surface. I‘ve rediscovered a lot of things in ' the past couple of years, that‘s why | think x it was really important to take a bit of time DX s and make sure we had the right record S before we stared recording. I guess I started to really enjoy rock and roll music again and 1 was really energized by the whole process of writing songs." What some critics are more accurately saying is that Gin Palace could be the album that puts Barney Bentall over the Proof that Gin Palace is a true collaborative effort, rather than a solo effort, is its list of songwriting credits. Virtually every member of the band (which E:mgly refers to itself as the BB Quintet) has had an hand in. And Bentall, for the first time, has taken a stab at lyric writin% something, until now, he left to good pal Gary Fraser. pretty mature. And because they were writing and really involved at the heart of the project, I think that‘s where it counted to them." SCHOOLS OUT (Continued on page 22)