The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

I 1 n C IFTO o)iP 9 : (0e . B JUM Suoying to get my degree ig blay‘ e esn i. hdr;: I,(f'h 4 T:: R;’d':d'erilj or less, plus GST But 1 would like to look into music therapy and wft}Ihdl Ma:(errwnl Zar:o:n“;?)'hh()p “.o' Meh only) will be held semoiu:r:;narel;:d’lz;‘:i“(a" * ‘:;::w i consists of. I don‘t know, 1 might take some psychology _ the Resurrection Caef:rl‘rem(\:\':gr?\or:r:lnm betv\';eoe‘:\n%j al S% y 1 ater ® 7 . Miâ€" Street Theatre box office at 57‘4mr‘2g8 (01':"(::6‘ 6 versity Avenue and Columbia Street). The cost is $65 the' i ;;‘V as beenhpvamsmg music therapy, of sorts, for including workshop and lunch Wokaconcefl ack: o o o e past three years through selfâ€"discovery workshops. Her . ages are available for $75. Call 570â€"1129 for information. ................................. NNALLX <©) INNNNNXANAAAAAArXrarreekaresies l bist o o o o o o o o o 0o 0 ........0.0...........Q.'....................... poinenrmnanasanginreph c h im ina ons enc 2 on Tickets tor The Raft are $15 or less, plus GST (half price on Thursdays for students and semiors), and are available by calling the Water Street Theatre box office at 571â€"0928 friesen also authored The Shunning, a piece that Theatre & Company performed to soldâ€"out crowds in 1992. Friesen attended Theatre & Company‘s openingâ€"night pertormance of The Ratt, and said afterwards he was honored to have "so much talent, energy and spiritual goodwil!" devoted to his work The play. which will be presented Thursdays through Saturdays until March 18, opened to tav orable reviews Feb, 17. It is a threeâ€"characâ€" ter prece about the search for one‘s father, feaâ€" turing Doris () Dell and company members Linda Bush and Alan Sapp Enesen also authored The Shunning s mare Tickets tor the concerts are available at the Centre in the Square box office, 570â€"1570 on four previous OCCasions Theatre & C ompany‘s production of The Raft y Patrick Friesen, is being held over tor two idditional weekends at the Water Street Theâ€" itre in Kitchener PAGE 16 â€" WATERLOO CHRONICLE. WEDNESDAY. MARCH 8. 1995 The Raft held over artist Urushihara to perform with Kâ€"W Symphony NTERTRINMENT is # 7 2 9 a 9° | o NC s 3 m /3 'L‘:-; Z 2y ,[/ 0 iP 3 emmere at the local concerts. which raa himselt will attend irst halt of the concert will end with the e and Liebestod trom Richard Wagner‘s Instin und Isolde itsu has selected Brahms Wolin Conâ€" t the second halt of the concert as his showing his "deepest respect for this Komatsu has performed with Urushihara esgolinist Asako Urushihara will per i the itc henerâ€"W aterloo Symphony d saturday evening at Centre in the 8 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ 2 ) J 0 2c t w t e v es y 3 In i who made her debut in Tokyo at 3 plays the 1705 "Yoast" Stradivarâ€" between $2 million and $3 million. rin her native country has gone on ngagements with virtually every ese orchestra including the Tokyo ic the Tokvyo Metropolitan Orchesâ€" n Philharmonic . the New Japan i and the Tokvo Symphony cirection of KWS music director C hoser Komatsu. this y weekend s pertor sixko â€" munces will open :?] g@ with the popular Bar i/ O ber Adagio tor ~ strings. tollowed by Stravinsky‘s Sym ’E"I phony tor Wind Instruments. Also Toshio Hosokawa‘s stra will see its North Amen OOR & T â€" £ ':\‘V #y & d & ,‘ef"fi"‘“ & 4 M <nm (£\ ‘~»: \W/ uD P ' #.\ Tremblay has been practising music therapy, of sorts, for the past three years through selfâ€"discovery workshops. Her Tremblay is not sure what she‘ll do with her music degree once she gets it _â€" maybe nothing. Maybe she‘ll just come away knowing that much more about music and music theâ€" ory. And maybe that will contribute to her creative process. But for now, she‘s keeping her options open "I‘m not sure what I‘ll do (twith the degree), and I‘m afraid to give myselt too much of a direction because | might be closed off to something really cool that might come along," she says. "So, right now, I‘m just studying to get my degree But 1 would like to look into music therapy and what that consists of. | don‘t know, 1 might take some psy chology courses." I‘m a selt taught musician and 1 really wanted to go back and get a music degree. | wanted to go back and get my education now that | was ready to learn, because 18 years ago | was more of a rebellious kind of hippie and 1 had a great time. But it‘s so much fun to go back to school when you‘re actually wanting to learn You‘re not sitting there bored thinking, ‘What am | doing here I hate school. But | have to be here ‘cause my par ents told me to be." You relate better with the teacher, you understand a bit more, and you question a lot, which is mice ever, the Laval Que native has had her hands tull with other things. Tremblay bhas returned to school she‘s working on her masters degree in music at Concor dia University ‘I had been thinking about (returning to school) to tor a (nuplt‘ of vears, and | decided that it was a good time. | just kind of kicked myselt because, you know, you can think about something for a long time before you actually doing it. | was kind of in that period," Tremblay says. "I just wanted to go back, mostly because stage tinues south And for someone who loves to be on stage as much as Iremblay does. three months is a Jong time to go without. The concert. she says will be like lovers reunited. and ‘God knows what‘s going to happen" in the heat of the moment But it s not lack of demand that‘s keet Trombliie frarm the Canadian singer songwriter Lucie Blue Tremblay is gen uinely excited about her upcoming concert in Waterloo â€" it‘ll be the tirst one she‘s performed since last December By Deborah Crandall Getting to the heart of the song Lucie Blue Tremblay J Viper In not lack ot demnand that‘s kept Tremblay trom the tact, her pop ilanity con rrow here and. especially ® ‘ the borderâ€" Lately, how . Big Bang 1 T E;:”E { oo on d ces o e mt n ons when she comes to Waterloo this weekend. Tremblay wil pertorm in concert Saturday night, and she‘ll conduct a dayâ€"long workshop entitled "The Heart of the Song" on Sunday "It is definitely inner work with an outer creative proceâ€" dure," Tremblay says of the workshop. "It‘s basically learnâ€" ing how to grasp on to certain emotions and to use them in a positive way. It‘s like with anger â€" when you‘re angry, it can be so destructive because it‘s so powerful. But if you can take that anger and the power that comes with it, and transter it to something outside of you (like a song, poem, or dance), it‘s amazing what you can do with that." Lucie Blue Tremblay performs in concert March 11 at 8 p.m. at Seagram Museum in Waterloo. Tickets are $14 in advance and $16 at the door, and are available at Provident Bookstore (140 University Ave. W.) and the Waterloo ShYOMIm box office (Waterloo Recreation Complex). P es MB Wt T MB I d first workshop, at a music festival in Texas in 1992, was a bit of surprise for Tremblay, When Tremblay received an invitation to attend the threeâ€"day songwriting workshop at the testival, she didn‘t realize it was an invitation to instruct "I thought | was being invited to take the workshop," Tremblay says. "When I got there, I learned I was one oi the presenters. I thought, ‘How in God‘s name am | supposed to tell people how th write songs‘, because 1 feel that anyâ€" body can create and I‘m no more special than anybody else, 1 felt really uncornfortable at first with the notion that | was going to be one of the six faculty people." So Tremblay decided rather than tell other people how they should write songs, she would share with them how she wrote songs. The experience became one of selt dis covery, both for Tremblay and ® those taking the workshop Since then, through her workâ€" Shops, Tremblay has been helping women get in touch with their emotions through a realistic and spiritual approach, and to transter those feelings to an art form She will share with other people e comes to Waterloo this weekend. Tremblay will in concert Saturday night, and she‘ll conduct a , workshop entitled "The Heart of the Song" on "It (the workshop) turned out to be a very inner work, It was really a lot about being in touch with your emotions, and I never realized how easy 1 had access to my own emoâ€" tions. What was really cool though, was to be able to share that with other people." ICED