Waterloo Public Library Digital Collections

Waterloo Chronicle (Waterloo, On1868), 6 Jun 1990, p. 18

The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

ttt1ittetu.yohiih-teandeivii A_Bl9aetiviatand-verinhmnan righu,Nolirlyriea “11:” inn-wrought. madden] witltgubjsetah' Mum. gayrighta,anddoinmtievioi-. .Aaa'oewrriurandpiser,Nount- itlttrrmetailtiiitrtiehoathrmtgtttG music about inn. that m the globe. 1lola_tutato--tsmsiirtiii "I think that they he tonic: human 'xrtte,artdtltntthqrahtmidt-med altoutlyynanitroiuuandwh-GG gtring,_"Noun-iieesnh-giiei u: haunting untidy. An maple ig the At three, her farnilr - - GGG, -5. Toronto where she is still baled). though sham clonaly tied to her Nov- tkmtian um. "My lather played jam guitar, and my mother sort of sang a little bit when she m younger and she liked calypso Ind Caribboun music. So I grew up listening to Nat King Cole, Chubby Checkers and a bit of gospel," says Nolan, who visits Waterloo June 14 to perform at the Princes Cinema. Nolan mstrborztinNovia&otia,atitth generation Canadian, in I predominately Black community when cultunl roots were annular to than in the “than US. As is'evident even on a first listen to Faith Nolan's bust release, Freedom to Love. this lady from Nevis Semis has my influences. She's always written in different styles, because some songs “just sound better when you do them a certain way." And she's always listened to different kinds of music - with a diverse musical background, it was hard not to. CttttmicteStatt She may}; a folk artist - but not one that 15 my pigeltoled.. Entertainment '2tiLe..1t.atAatsgst.titg9giigEct--, otiartitwsiikd." You can’t Itigeorrholre singerlsonguiiter Nolan T . in t"ilii,.'t 'lta"t'l'df my": iiit,i.','iiii S3tMNqt Norle I" now gioheilr an: Inn Angfm. Nolan lama-em 'xttiatkatad,mtouehto,mitt'toiatirir, seft,P-houhuaatamugiimiTGitar, 'lllllll?'r'A't%rl1tt,tet,"the "eteretttNotnrttiemmm atitid -CtrtetmttesttAe. the Women’s Imus Board (Univenity of J,ttt1elooW.euiiilitjiii-iiUiiiiri'iiiia"l, ,i,et?etri.th.tryeitiiiiioitTiiiaii't"iii"i; "imtintkhootL"riaiiriiiiifiir. me nun noun Mom-1m in .. y TonErdhrtUGotuicottG . (at: the Women’s In... Rnard 'ktt.t.Ste. Cl --- "_'_‘" MIG, m1 W. as inWatarloo) Adamo tickets are on ale at the Glohql Cmunity Centre (746-4090), the Princes: t7tymat8ttr.gtr60) and Word. Worth Books (384-2665). '1‘” Ttith We Momma ia may Her diversity is revealed in the comparison between songs on the album. North American Indinn drums and chant: irttrududrAana Mae Aquaah, a song about a thin Native 'tiaiviat. A r1unblingiaix piano pumps out Ma Rainey’s slightly naughty home It On Me. Nolan perform: at thovPrineua Cinema “W”. June 14 at 7:80 pm. Tickets cg $10 (adeanart 812 (a the door), and 88 St"get, limited number "nimble only at thas alt" "-.-s, n . -- -_- _, On Freedom to to»: 21trg,Tg,', ttgg tget A collection origi songs, It ed with Mabythelike-omsubemm, Ma Rainy and Big Bill Broonzy. his is tthit new via-i -tiy,t,,te, _ mr'm Wat Diversity td- Iterloo. find lhe’l looking forward to rial-{nag in the intimacy of the Prince“ eaeh 'retmen.uriiCriGTiiiiriiii; embraces her lyrics, and her musical 'mutge 2',"t"""'t'"t---tlmrtiiiiii". g ova. of what's going on in South Africa and what’s happening with netive people. Young people are particularly concerned about thoeelinde of apple-lone, and they want some answers. When they hear it in music, they're really m. Bap, for example, ie a really form Dock] commentary." But nodal comment isn’t all that Nolan f1hP'ritlymhotlttthrseaitGG2niTii'iii ’T_" -'_i..r._. Inn] III Stteemitr Centre, 8991 King. Sllfor ' tutdatudenta,andamavaiuth, tsttheCentmin Human». Iea,eie.etereir,,t:rite.t.ortundtuitorand-r, With People in Iction. But if that weren’t enough; young men mammenbetweonthenguofl7and25myintervieww 'l.eytepartottheaetion.%rGitGGioATi'tiiiiriiiri8ii'. 7567. 3.13:2 The can coming to Kitchener-Waterloo is comp-M of student: from 16 countries, including places " far away as Australia, Japan, Panama, and Europe. * Phtit ff Trider'? 7:30 performance are tt8 for adults and ttte.hirhie.ttpytstseevsntaruinittgmisaagmmdtu PyldfytypaatAtreitsintamatiariiiGriaiGii' ‘n'rollinitasouLThobeatiacontagious,withmothingfor juuabouteveryou-fi’ommckmguglelJolkanthioul, international -rttry,rhyttuttarid nan. hitafromthe 1960s, ham.rhittiitgmistxtitumporsr, 'd1U'l,'ll be-bopping dmnumbem 1rhgttr_tmr.than600r.oungadyta,divtuotntmsrtive ttg,'tt'gt2te,ggt'ititridg,t, 11 tttelttftrrIlftgrto 'a',fd'u",'g'it,etat,',,tt,i,',y,.r,ut ttt,'gTltttalgh',n,ir ttt.atur9rot.tarirt.g-utars,tt- concern, involving tltemehmsiheoinrnmitr aetivitiasintheeitia, they “in“ _ Up with people Thewwldvr'ill tocdnueinthe'squm T m,“ mmmwdwmmhmvglmm 't't,2t2,1t,2thigd,.t, eon-$116,, 1 two- tnuaieal ' canning!” We wmwrtyeywlmmmmmmmdm ULWiq: Peopleplww Tr'?'"'"""""""""'"--"-- "qhtiIIi'tti-issaarasa-,,s._u:, ' _ _ V 4,

Powered by / Alimenté par VITA Toolkit
Privacy Policy