The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

I like In, and to mall, through to people." Walton“ Lfltd than the begiet.ing,ItrifdtowritesortrthTt would be right for us to play live, and that were about things we've been going through and everyone experiences." The duties and failings ofthoae who head families and governments Ire made clear on The Reckoning Du. Spendlt On Love. We Walk Tulane and Ham f,',f/,t'tr; Poli “Th thing vi polities, my ities and real-life politics, is they're not nearly as unwind as political wri- In addition to concise songwriting, The Good News And The Bad News focuses on what the band does best - using instruments that are essential to their sound, while playing those instruments to the best of their abilities. "We wanted this rikGitTreuy sound likeps,andtom.itrmtthrakiGi, On their first two albums, The Rain. makers - Steve Philips, Rich Ruth, Pat Tomek and Walkenhorst - built a reputation for songs that got to the heart of the matter. Contributing to the make-up of Walk. enhorst's lyrics is his ability to convey strings of interesting, colorful images any lie Kansas City u.iybringiltg. -- l The good new: is that The Rainmake- 'lta,vt?.-altneerriaitrrdarii," relatable song; The had me in 'tiii) this refreshing. hock-m band hai, been overlooked for far too long. V With their latest LP release, The Good News And The It': (tpc, the Mi-tri quartet combines In story“ . of lead vocalist Bob Walkabout “mix the production of Jeff Glixmn (Kansas, Georgia Satellites) to deliver anthernie, guitaroriented rock 'n' roll. Walkenhorst. who belivee the words are what it’s all about u far a songwrit- ing goes, likes to think ofhimselfu a member of the club of writers who write from a point of view where one is confronting life rather than escaping from it, 1heptaiapdvraiurtrtoveam 1ihtitf,tyea1rirG,fNrFN,T tghPttet?tseiiririiilViii'G 8ittrantrahn_iiei;ii,tTiire 'i'tt.1r"di"t'-"nt"d-iai 1.hluthtot'ssoetgsauotmdtoaas. Pneh.ar.euoftaigiorutGt,Uii'it It-ruins-ister,'""';;';,',"",'",",)', ten and magazines would have believe," Walkabout Mid. "ituitiink'- "t 'ttarte-tAst/kim-taim,,, met 1ttueliiututesriarrpriiiili 'dntti,tttht','i','ygr,tg,.s,,: Illa rantin' "my wanting 'rRtrter.rttte-hiaitsit-aea' "'ettei"trTurouttueiniii tndrelitrionahrrruoio'tortrutha, no. And "dit though they loom like 1ty,PrrsaomrG;ih0GTGiiii uncommon: T-"".--. Jttat ool4ttestt-,vithihi, ilitiir)lltl.2 Inf-c m doing when! may]. Sum- tnor. The MI,,',,".',";,',' a} Summer m'"ra"urritrt-iiiirttiii'" iiiiti';ritiii's? when] . , v --"e -""'"-' wv "a wile every- thmg' and new fully am us," WW an. “Yoq in”; a lot of bands will ,1ti,'t,tf,, gag-two" isn't guitoight, Icy, e 7 . tping on'. But for In it'g 'Mothtitriiid situation, her, we're right n-hm’." With new ”up kiln!!! for live Mommas,_ ’l'ho__Blhmkm have I .“We'vg am an my about fight. Pe. We've 'tilqtid in every 'dee, ,iethSetir,iii'ii)irire ever!- TI b, _ If "diitiiiaiia'"i'iiii “f mm“ ttattttgtet 'ht) . ' d Th', .h'llh'P,, M, NH tggy 1tyirt-rt'kkrihUiiiiiiiifae. tdl",',',';":,)',,',', live triyt,t,.Q/ti2iis w e m .lttt.i'",'tf ' 1{and In: Eng] iii' L v. _ t 'teg.', 'd'l'dl'm'hrdil'Ll $335.. In1987.the mam tltlttti'f I iaiii'Ciii6iiriiiiiat""r; but“ M, 'M‘ka] ma. “WMEH get F _-N., _. - " 2Setttttt 2tittht wide when m album in “all? ',1.'ilfilt8tii'tst: at? t than. k _ C murder . 'llPl1'h"J'4'ra'1ll'it was hand. out te,'rggt1't ', $2,232,311, (MIME!!!) akMttatin Hg t'atfl'/ eydriawttrmgh I . was badly -P '1o,AutitGotririii' d roll tl.lfidtt,t,t)si been. ,bothaUg i aging?!“ hit, _' lu ate. with my third ',',tt5fytrelaii1tiyitt “Paul. a VII d I: 'iiryiiii' teil." '-_', 59,44} P'. N>trn.r-N ks a"; 'iii,/,eir, 'tiiiii'i t yA'r" ' I. ' l ' r . _ n 'r a: (r/stil It] “great s?“ s7rlt A! 2P, out on