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Hurrah for the students from Centre in the Square‘s School for the Performing and Visual Arts. You are all ‘Starz‘ in your own right. These 150 kids did a wonderful job, but they couldn‘t have done it without a gifted galaxy of talent constantly igniting their energies behind the ‘inexpendable‘ assistant Brian Lau, plus drama coaches Peter Mansell and Sherry Freund, techniâ€" cal director Terry Hynes, choreographer Cindy Toushan Bynjas, vocal coach Brenda Urchimaru, the school‘s teaching assistants, and everyone else involved, a standing ovation is in order. During three grueling weeks this past July, this team of kids and bigger kids worked hard on stage goc.fl.nl'aylburhglnmu: The Show Must Well, it did, titled Starz, and it was great. Starz, conceived and directed by Cindy Toushan Bynjas, was a rousing success with friends and family alike who recently flocked to the Centre. For some Performing Arts students, it was the show of their lifetime, while to others, it may be the start of a budding theatrical career. But it wasn‘t just the kids‘ moment of glory. directors in this razzâ€"maâ€"tazz revue, which was particularly strong in three dance extravaganzas. Starzâ€"stopper one: Stratford stage sage William Malmo‘s Looney Tunes, featuring the melody and mischief of timeless comic Spike Jones, set to a gaggle of animated dance structures, encomâ€" passed in strobe light, in heartâ€"warming salute to favorite cartoon characters. Gilbert and Sullivan directing master Alex Mustakas, invented the uproarious slapstick flair hruam-u-nâ€"a-ahmr-c the Singin‘ In The Rain. The next number was all that sua! jazzâ€"and more, with Paul Simon‘s You Can Call Me Al, and the dynamic dance motivation of choreoâ€" ‘2 grapher Vera Stephenson. 1’& The acting portion of Starz was hit and miss, but two scenes stood alone in quality and contrast. to Jitters was a fitting debut for budding comedian Ima Jed Metzger, who won instant crowd approval with hniâ€" his casual flair and sitâ€"upâ€"andâ€"notice comic timing. ndy Emily Jull as Jessica is also destined for the footlights, she and Metzger are damn close to 2 professional status with their casual stage presâ€" ence and natural chemistry. Andy Hahn, Ryan this Desaulnier, wonderful as the typical egocentric director, Morgan Beare, as the token author, and ns the lovely Lori Gibson, as the Airhead made this sliceâ€"ofâ€"script peekâ€"in a hoot. The Actresses Scene, entitled Stage Door, han concerning the hopes and dreams of six Big Apple and Stariets did not fare as well. tre. _ The Improvisational Scene Choose Me, focussing the on the agony and defeat of auditions, was by far the the strongest in the acting category, giving the audience a sampling five promising ‘Starz.‘" Look ory. out for Jessica Bryant! Directors could easily and choose her. Brigita Schuster excelled as the was pretentious coach perfectly at home and in full zas. command in front of the Centre‘s enthusiastic iam house. Jason Silverman‘s outlandish selfâ€"penned and ode to a dead bird "poem," and his bizarre stage to a ‘business‘ (not unlike a pintâ€"sized Howie Mandel) omâ€" had the audience, his willing victim, enjoying e to every mouthâ€"watering second of it. Sarah Gledâ€" hill‘s delightful Twilight Zone space cadet was \lex another plus with Shiela Fisher‘s ‘Friends song‘ a lair sign this girl definitely passed the audition. 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