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The Kitchenerâ€"Waterloo Philâ€" harmonic Choir, now in its 65th season, presents Requiem by Mozart and Magnificat by J.S. Bach Saturday, Feb. 28, 8 p.m., at Kitchener‘s Centre In The Requiem, Magnificat at Weaknesses hurt Centre in the Square _ daring Trickster Waterioo Kathleen Brett (Soprano), Marâ€" garet Kuh! (Mezzoâ€"Soprano), Dennis Giesbrecht (Tenor) and Daniel Lichti (Baritone). Also joining the Choir will be the new Philharmonic Youth Choir, which made its debut at The Centre in December. Magnificat by J.S. Bach is one of his great choral achievements. A setting of Mary‘s Song of Exultation (Luke 1:46â€"55), this work is full of joy and hope; bristling with the buoyant rhythms and orchestrations that ‘have made Bach a beloved comâ€" poser. Of particular interest in this performance is the fact that four interpolations, normally added during Christmas presenâ€" tations of the Magnificat, will be included; these will be sung by the Philharmonic Youth Choir and two of the soloists. Howard Dyck will conduct the 125â€"voice Choir, the Kitchenerâ€" / BIRTHSTONE To c m Reg. 32.50 * Swest 2 Sowr Chichen Baite NOW ONLY © Shrimp Fried Rice am Aait * Tai Dop Voy & Best Vegetabiles & Aimond ;;;"‘.‘u" Cookies en es Expires Feb. 28/87 PICKUP 25.99 Traditional three stone ring set with your N genuine birthstone. Accented by %F : two sparkling diamonds HATASHITA GOLDSMITHS Now accepting Spring and Summer Fashions for resale 24 Dupont St. East, Waterlo0 â€" 746â€"2660 (Ciosed Mon.) 10% orr LARRY‘S BEAUTY SALON /9’3 \ FEBRUARY LoÂ¥ ,# i SPECIAL J woP" > PERMS ©5.00 orr WATERLOO TOWN SQUARE, WATERLOO Open Thur. & Fri. Nights 886â€"2810 soloists: Corner of University & Phillip HAIRCUTS $8.00 s?8% Plus FREE Bottle of Shampoo Forming an ideal con plement to Bach‘s Magnificat is Mozart‘s Requiem. Ever since the appearâ€" ance of the awardâ€"winning Amaâ€" deus, the music of Mozart has gained in popularity. Composed at the very end of Mozart‘s life, this work is regarded as one of his greatest achievements. The legends surrounding the work have added somewhat to the mystique, if very little to the real understanding of the music. There is the story of the mysteriâ€" ous ‘man in grey‘ who appeared in Mozart‘s doorstep with a sponsor. We now know that the commissioner was in fact the musicâ€"loving Austrian nobleâ€" man, Count Franz Walseggâ€"Stupâ€" pach; it was he who requested that Mozart write a Requiem in memory of the Count‘s deceased wife. As fate would have it, Mozart had not finished the work when he died on December 5, 1791. The manuscript contains the first 10 movements, mostly in sketchy and incomplete form. After Mozart‘s death, his widow Constanze turned to one of his pupils, Franz Xaver Sussâ€" mayer, with a request to finish the writing so that she might rulk se cd4CY I [** * Umbraila Chicken CNOMNLY * tong 800 Sparenae ONLY 885â€"0080 PICKUP 16.99 fulfil the commission, and, more importantly, collect the fee! Sussmayer completed the task during the first half of 1792, and the work received its premiere performance in Vienna on Janâ€" uary 2, 1793. Although Sussâ€" mayer‘s completed version of the Mozart sketches are the result of a long, dedicated and informed labor of love, serious questions remain concerning a number of editing of the Sussmayer score. ductors such as Richard Strauss and Nikolaus Harnoncourt have felt the need to do extensive UW Arts Faculty presentation Trickster was intended to be a celebration of the arts. inviting, often overdone. Devised by St. Jeromes writerâ€" inâ€"residence Sean Virgo, and directed by Drama department chairman Douglas Abel, the anything but, the key he/she process of Trickster began 18 months ago as the integrated theatre darling of the arts faculâ€" WEDNESDAY, FEBRUARY 18 The initial idea was brilliant, strategically compiling visual and performing arts entities to form a fluid motion of sound, sight and movement. The Trickâ€" ster‘s main objective was to stimulate all senses â€" to any artist an irresistible challenge. â€" Trickster was a multiâ€"faceted effort which blended the talents of UW Drama Dept., Dance, Fine Arts, UW Chamber Choir, two guest composers, one guest choreographer and a slew of UW technicians. Elien Conversi as the Trickster tried to link all artistic schools of (Continued on page 23) 1987 â€" PAGE 19